"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 60.
Pàgina 161
... tion to create an enigmatic figure in order to emphasize the ambiguities and contradictions inherent in contemporary belief in witchcraft . Joan is one of three threatening female figures in the tetralogy , and all of them are French ...
... tion to create an enigmatic figure in order to emphasize the ambiguities and contradictions inherent in contemporary belief in witchcraft . Joan is one of three threatening female figures in the tetralogy , and all of them are French ...
Pàgina 232
... tion , and the only point of contact of the two principles is a sound of loud music and a scene shift ( Orgel , Masque 138-39 ) . Moreover the four dances of the masquers of the court ( 489-515 ) contrast with the witches ' dancing be ...
... tion , and the only point of contact of the two principles is a sound of loud music and a scene shift ( Orgel , Masque 138-39 ) . Moreover the four dances of the masquers of the court ( 489-515 ) contrast with the witches ' dancing be ...
Pàgina 258
... tion , since the rate of infant mortality would have been extremely high in the times of the historical setting , and she may have lost her child shortly after its birth . In addition , the experience of motherhood intensifies the ...
... tion , since the rate of infant mortality would have been extremely high in the times of the historical setting , and she may have lost her child shortly after its birth . In addition , the experience of motherhood intensifies the ...
Continguts
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Copyright | |
No s’hi han mostrat 4 seccions
Frases i termes més freqüents
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