The Secret Cause: A Discussion of TragedyUniversity of Massachusetts Press, 1981 - 189 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 37.
Pàgina
A Discussion of Tragedy Normand Berlin. deals exclusively with drama because in drama the tragic spirit is most immediately felt ( given the nature of drama ) , in drama it had its first push , and in drama it continues to find its most ...
A Discussion of Tragedy Normand Berlin. deals exclusively with drama because in drama the tragic spirit is most immediately felt ( given the nature of drama ) , in drama it had its first push , and in drama it continues to find its most ...
Pàgina 84
... drama for audience- critics , a dramatist least effective when he points his finger directly at the existential dilemma- " What does it all add up to ? " — and most effective when he confronts the play Hamlet and Elizabethan drama and ...
... drama for audience- critics , a dramatist least effective when he points his finger directly at the existential dilemma- " What does it all add up to ? " — and most effective when he confronts the play Hamlet and Elizabethan drama and ...
Pàgina 147
... drama there resides " the ultimate possibility of raising the truth - consciousness of mankind to a level of ... drama or a tragedy . Each has a different purpose : social drama criticizes a social condition , making its hero a victim of ...
... drama there resides " the ultimate possibility of raising the truth - consciousness of mankind to a level of ... drama or a tragedy . Each has a different purpose : social drama criticizes a social condition , making its hero a victim of ...
Continguts
Sophocles Antigone and Anouilhs Antigone | 11 |
Hippolytus Phaedra Desire Under the Elms | 33 |
Hamlet and Rosencrantz and Guildenstern Are Dead | 65 |
Copyright | |
No s’hi han mostrat 5 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Abbie abyss action Aeschylus Anouilh answer Antigone Antigone's Aphrodite audience Bartley Beckett boundary situation Captain America character Chekhov chorus Claire Zachanassian comedy condition confrontation Creon critics dark death desire destiny Didi and Gogo Dionysus discussion drama dramatist Dürrenmatt Easy Rider Eben Eben's Elms Ephraim Eugene O'Neill Euripides fate father feel forces goddess gods Greek Guildenstern Are Dead guilt Hamlet heart Hilda Hippolytus human Ibsen Irina Ismene kill King Lear lives man's Master Builder Maurya modern mortal mother mystery myth nature never O'Neill Oedipus Rex passion past Phaedra physical play play's beginning Polyneices present prods Prometheus question mark Racine realizes reveals revenge Rosencrantz and Guildenstern Salesman scene secret cause seems sexual Shakespeare shout Solness Solness's Sophocles speech stage Stoppard's story suffering tells terror Theseus Three Sisters tion trag tragedy tragic tragicomedy victim Waiting for Godot Willy Willy's witness words York young Zeus