The Secret Cause: A Discussion of TragedyUniversity of Massachusetts Press, 1981 - 189 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 12.
Pàgina 34
... called a satirist and reformer and the least tragic of Greek trage- dians ; he has been called " the most tragic of all the poets " by no less an authority than Aristotle.2 I do not wish to enter directly into this large controversy ...
... called a satirist and reformer and the least tragic of Greek trage- dians ; he has been called " the most tragic of all the poets " by no less an authority than Aristotle.2 I do not wish to enter directly into this large controversy ...
Pàgina 85
... called satirical , for it makes no attempt to encourage the audience into any kind of action , as do Brecht's plays , or to cause the audience to change the way things are . The play examines the way things are , or , more precisely ...
... called satirical , for it makes no attempt to encourage the audience into any kind of action , as do Brecht's plays , or to cause the audience to change the way things are . The play examines the way things are , or , more precisely ...
Pàgina 109
... called The Three Sisters a " drama , " a troublesome term , but one that indicates that Chekhov considered this a darker play than The Sea Gull and The Cherry Orchard , which he called comedies . His dispute with Stanislavsky , who ...
... called The Three Sisters a " drama , " a troublesome term , but one that indicates that Chekhov considered this a darker play than The Sea Gull and The Cherry Orchard , which he called comedies . His dispute with Stanislavsky , who ...
Continguts
Sophocles Antigone and Anouilhs Antigone | 11 |
Hippolytus Phaedra Desire Under the Elms | 33 |
Hamlet and Rosencrantz and Guildenstern Are Dead | 65 |
Copyright | |
No s’hi han mostrat 5 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Abbie abyss action Aeschylus Anouilh answer Antigone Antigone's Aphrodite audience Bartley Beckett boundary situation Captain America character Chekhov chorus Claire Zachanassian comedy condition confrontation Creon critics dark death desire destiny Didi and Gogo Dionysus discussion drama dramatist Dürrenmatt Easy Rider Eben Eben's Elms Ephraim Eugene O'Neill Euripides fate father feel forces goddess gods Greek Guildenstern Are Dead guilt Hamlet heart Hilda Hippolytus human Ibsen Irina Ismene kill King Lear lives man's Master Builder Maurya modern mortal mother mystery myth nature never O'Neill Oedipus Rex passion past Phaedra physical play play's beginning Polyneices present prods Prometheus question mark Racine realizes reveals revenge Rosencrantz and Guildenstern Salesman scene secret cause seems sexual Shakespeare shout Solness Solness's Sophocles speech stage Stoppard's story suffering tells terror Theseus Three Sisters tion trag tragedy tragic tragicomedy victim Waiting for Godot Willy Willy's witness words York young Zeus