The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 34.
Pàgina 31
... virtue , and if there are more than one virtue , in accord- ance with the best and most complete " ( Nic . Eth . , 1098a ) . This , he continues , is a lifetime's work , " For one swallow does not make a summer , nor does one day ...
... virtue , and if there are more than one virtue , in accord- ance with the best and most complete " ( Nic . Eth . , 1098a ) . This , he continues , is a lifetime's work , " For one swallow does not make a summer , nor does one day ...
Pàgina 171
... virtue and vice , the epic poet should be equal to refuting such false reasonings by his constant appeal to his audience's emotional assurance that virtue is deeply rooted in human nature . The critical preference at this time of the ...
... virtue and vice , the epic poet should be equal to refuting such false reasonings by his constant appeal to his audience's emotional assurance that virtue is deeply rooted in human nature . The critical preference at this time of the ...
Pàgina 261
... virtue , but more moderately . " I will not go so far as to say that the improvement of taste and of virtue is the same ; or that they may always be expected to co- exist in an equal degree . More powerful correctives than taste can ...
... virtue , but more moderately . " I will not go so far as to say that the improvement of taste and of virtue is the same ; or that they may always be expected to co- exist in an equal degree . More powerful correctives than taste can ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word