The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 31.
Pàgina 13
... ultimate end of poetry was none other than the influencing and moulding of human character ; the bringing out of the best that was latent in the soul ; thus enabling men to better their lives and to rebuild the world ' nearer to the ...
... ultimate end of poetry was none other than the influencing and moulding of human character ; the bringing out of the best that was latent in the soul ; thus enabling men to better their lives and to rebuild the world ' nearer to the ...
Pàgina 75
... ultimate refinement of the Renaissance Classical revival , should achieve the ultimate collapse of the Classical tradition and that the instrument of this destruction should be the very power thought of as the architect of this edifice ...
... ultimate refinement of the Renaissance Classical revival , should achieve the ultimate collapse of the Classical tradition and that the instrument of this destruction should be the very power thought of as the architect of this edifice ...
Pàgina 132
... ultimate significance could not come about with- out its being shaped . Despite this mutual dependence , struc- ture has the ultimate priority , since mimesis is art . Man and wife are both needed for familial unity , yet ultimately the ...
... ultimate significance could not come about with- out its being shaped . Despite this mutual dependence , struc- ture has the ultimate priority , since mimesis is art . Man and wife are both needed for familial unity , yet ultimately the ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word