The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Resultats 1 - 3 de 44.
Pàgina 139
... Tragedy any and every kind of pleasure , but only that which is proper to it " ( 1453b ) , a notion applicable by metonymy to all the genres . " STRUCTURE AND TRAGEDY Aristotle elaborated his concept of structure most of all when ...
... Tragedy any and every kind of pleasure , but only that which is proper to it " ( 1453b ) , a notion applicable by metonymy to all the genres . " STRUCTURE AND TRAGEDY Aristotle elaborated his concept of structure most of all when ...
Pàgina 151
... tragedy Bossu's directive for writing an epic , saying that the moral should be pointed first , so that it " directs ... tragedy superior as a kind to epic . He held this opinion because the object of tragedy is more excellent and ...
... tragedy Bossu's directive for writing an epic , saying that the moral should be pointed first , so that it " directs ... tragedy superior as a kind to epic . He held this opinion because the object of tragedy is more excellent and ...
Pàgina 153
... tragedy results from the conflict of pleasure and pain , where pleasure predominates because of the humanity and kindness awakened in us.30 Edward Young , the lover of melancholy and night thoughts , says that we enjoy a tragedy because ...
... tragedy results from the conflict of pleasure and pain , where pleasure predominates because of the humanity and kindness awakened in us.30 Edward Young , the lover of melancholy and night thoughts , says that we enjoy a tragedy because ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word