The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina x
... tion of pleasure as a means of persuasion espoused by the far greater majority of the critics studied . Behind this serious discrepancy lie two fundamentally different views of poetry itself , one of which sees it as an autonomously ...
... tion of pleasure as a means of persuasion espoused by the far greater majority of the critics studied . Behind this serious discrepancy lie two fundamentally different views of poetry itself , one of which sees it as an autonomously ...
Pàgina 72
... tion or copy of a natural object , such as the action of a man , but their presentation in the distinct and heightened neces- sity and probability achieved by the use of the poetic medium . ” 25 It is quite true that for Aristotle a ...
... tion or copy of a natural object , such as the action of a man , but their presentation in the distinct and heightened neces- sity and probability achieved by the use of the poetic medium . ” 25 It is quite true that for Aristotle a ...
Pàgina 257
... tion depends on it . The great end of the poem is to instruct , which is performed by making pleasure the vehicle of that instruction ; for poesy is an art , and all arts are made to profit . ” In “ A Parallel of Poetry and Painting ...
... tion depends on it . The great end of the poem is to instruct , which is performed by making pleasure the vehicle of that instruction ; for poesy is an art , and all arts are made to profit . ” In “ A Parallel of Poetry and Painting ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word