The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Resultats 1 - 3 de 47.
Pàgina 110
... seen in music and painting or in their relationship with poetry , although nominally referring to the essence or inner center of art , was actually empirical in meaning . The pre- cisely imitative in painting was identified with what we ...
... seen in music and painting or in their relationship with poetry , although nominally referring to the essence or inner center of art , was actually empirical in meaning . The pre- cisely imitative in painting was identified with what we ...
Pàgina 209
... seen one example of this in the confusion of poetry with rhetoric . Another was formalism , where form in style was not thought of as either deriving from the inner movement of the poem or as closely enough related to it , but rather as ...
... seen one example of this in the confusion of poetry with rhetoric . Another was formalism , where form in style was not thought of as either deriving from the inner movement of the poem or as closely enough related to it , but rather as ...
Pàgina 220
... seen , the mimetic theory of poetry is best understood against the background of the older , Greek philosophies . Yet there are limits to this theory of poetry , precisely because of its more or less exclusive reliance upon the ...
... seen , the mimetic theory of poetry is best understood against the background of the older , Greek philosophies . Yet there are limits to this theory of poetry , precisely because of its more or less exclusive reliance upon the ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word