The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 49.
Pàgina 52
... reality itself ; his sensibility is " objective . " Aristotle suggests that poetry satisfies both our appetite for imitation and our appetite for harmony ( Poetics , 1448b ) . The cogni- tive element tends to stress the first of these ...
... reality itself ; his sensibility is " objective . " Aristotle suggests that poetry satisfies both our appetite for imitation and our appetite for harmony ( Poetics , 1448b ) . The cogni- tive element tends to stress the first of these ...
Pàgina 198
... reality both inside the poem and out , where appearances both differ from the reality and yet reveal it ? Surely Sidney's very words and metaphor can hardly be stripped of implying deceit : " And , pretending no more , doth intende the ...
... reality both inside the poem and out , where appearances both differ from the reality and yet reveal it ? Surely Sidney's very words and metaphor can hardly be stripped of implying deceit : " And , pretending no more , doth intende the ...
Pàgina 218
... reality it deals with . Judgment specifies , defines , clarifies ; appreciative synthesis unifies and tries to vitalize what it perceives ; but some part of the richness to be com- prehended always eludes the system , even when the know ...
... reality it deals with . Judgment specifies , defines , clarifies ; appreciative synthesis unifies and tries to vitalize what it perceives ; but some part of the richness to be com- prehended always eludes the system , even when the know ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word