The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 82.
Pàgina 26
... poetry . In chapter XIV of the Poetics he says that every kind of poetry affords its own pleasure ( hedonën tën oikeian ) ( 1453b ) , derived from the inner structure of the poem . Again , in chapter IV , in relating the enjoyment of poetry ...
... poetry . In chapter XIV of the Poetics he says that every kind of poetry affords its own pleasure ( hedonën tën oikeian ) ( 1453b ) , derived from the inner structure of the poem . Again , in chapter IV , in relating the enjoyment of poetry ...
Pàgina 44
... poetry either aesthetically appealing or useful ; but he is the most successful when he achieves both these ends . At first sight we recognize something of the Aristotelian con- cern with the significance of poetry and its pleasure ...
... poetry either aesthetically appealing or useful ; but he is the most successful when he achieves both these ends . At first sight we recognize something of the Aristotelian con- cern with the significance of poetry and its pleasure ...
Pàgina 199
... poetry . Attractive as Sidney's essay is in its intuitive observations and sustained enthusiasm about poetry , it is theoretically inconsistent in its effort to blend Platonism , Aristotelianism , and the notions of Horace , especially ...
... poetry . Attractive as Sidney's essay is in its intuitive observations and sustained enthusiasm about poetry , it is theoretically inconsistent in its effort to blend Platonism , Aristotelianism , and the notions of Horace , especially ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word