The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 88.
Pàgina 28
... pleasure , but the pleasure pecu- liar to that state of rational enjoyment in which perfect re- pose is united with perfect energy . " 26 One can become too solemn when speaking of the value of poetry , especially when reading Aristotle ...
... pleasure , but the pleasure pecu- liar to that state of rational enjoyment in which perfect re- pose is united with perfect energy . " 26 One can become too solemn when speaking of the value of poetry , especially when reading Aristotle ...
Pàgina 29
... pleasure . Accordingly , the mind prop- erly involved with the arts will operate in its most perfect and disinterested manner , in contemplation ; and the con- comitant pleasure is a sign that the mind is developing , being formed and ...
... pleasure . Accordingly , the mind prop- erly involved with the arts will operate in its most perfect and disinterested manner , in contemplation ; and the con- comitant pleasure is a sign that the mind is developing , being formed and ...
Pàgina 257
... pleasure is by deceit ; one imposes on the sight [ painting ] , and the other on the understanding . " And in his " Discourse on Satire " he voices the familiar idea of pleasure as a bait : " without the means of pleasure , the ...
... pleasure is by deceit ; one imposes on the sight [ painting ] , and the other on the understanding . " And in his " Discourse on Satire " he voices the familiar idea of pleasure as a bait : " without the means of pleasure , the ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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Frases i termes més freqüents
achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word