The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 85.
Pàgina 5
... mind and the Greek mind generally were outward - going . They lived in an object - centered world which , for all its irony and mystery , was considered ordered , substantial , and stable . It was deemed intelligible in its very ...
... mind and the Greek mind generally were outward - going . They lived in an object - centered world which , for all its irony and mystery , was considered ordered , substantial , and stable . It was deemed intelligible in its very ...
Pàgina 29
... mind prop- erly involved with the arts will operate in its most perfect and disinterested manner , in contemplation ; and the con- comitant pleasure is a sign that the mind is developing , being formed and matured according to its ...
... mind prop- erly involved with the arts will operate in its most perfect and disinterested manner , in contemplation ; and the con- comitant pleasure is a sign that the mind is developing , being formed and matured according to its ...
Pàgina 273
... mind of its audience , can be seen from a variety of comments on poetry and other forms of literature . Often an oblique observation is more revealing than his normally masterful , direct treatment ; but 4. Jean H. Hagstrum , Samuel ...
... mind of its audience , can be seen from a variety of comments on poetry and other forms of literature . Often an oblique observation is more revealing than his normally masterful , direct treatment ; but 4. Jean H. Hagstrum , Samuel ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
No s’hi han mostrat 4 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word