The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 52
... mimesis had been lost . To speak of Classical art as " cognitive , " then , is to say that it is object- centered , oriented in its inspiration to the world of nature , and of human nature in particular . The Classical poet's lodestar ...
... mimesis had been lost . To speak of Classical art as " cognitive , " then , is to say that it is object- centered , oriented in its inspiration to the world of nature , and of human nature in particular . The Classical poet's lodestar ...
Pàgina 62
... mimesis as a thing more than as a symbol . Plato's dialectic in judging poetry reflects this tendency where the ontological value of an imitation is judged in direct proportion to how close a copy of the original its content is . John ...
... mimesis as a thing more than as a symbol . Plato's dialectic in judging poetry reflects this tendency where the ontological value of an imitation is judged in direct proportion to how close a copy of the original its content is . John ...
Pàgina 113
... mimesis in a merely empirical way is even more pronounced in contemporary theories of music . A serious aesthetic of music did not develop until the eighteenth century , when it was stimulated by the con- siderable advances made in ...
... mimesis in a merely empirical way is even more pronounced in contemporary theories of music . A serious aesthetic of music did not develop until the eighteenth century , when it was stimulated by the con- siderable advances made in ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word