The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 77.
Pàgina 23
... meaning , ultimately derived from the world of real action . The poet is an imitator , then , inasmuch as he is a maker of plots , but it is essential to his mimetic shaping that he present a meaning distilled from the human scene , and ...
... meaning , ultimately derived from the world of real action . The poet is an imitator , then , inasmuch as he is a maker of plots , but it is essential to his mimetic shaping that he present a meaning distilled from the human scene , and ...
Pàgina 25
... meaning of some human event , releasing it from the acci- dental hindrances it may encounter in its quest for concrete fulfillment or perfection . For example , we are not told the color of Oedipus ' sandals , for this has no relevance ...
... meaning of some human event , releasing it from the acci- dental hindrances it may encounter in its quest for concrete fulfillment or perfection . For example , we are not told the color of Oedipus ' sandals , for this has no relevance ...
Pàgina 184
... meaning it expresses , both as a sign of meaning's achievement and as a link between speaker and audience . This is what the word propriety means in the title of this chapter , a translation of the Greek to prepon and the Latin decorum ...
... meaning it expresses , both as a sign of meaning's achievement and as a link between speaker and audience . This is what the word propriety means in the title of this chapter , a translation of the Greek to prepon and the Latin decorum ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
No s’hi han mostrat 4 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word