The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Resultats 1 - 3 de 62.
Pàgina 19
... matter to express its full potential and grow to maturity ; and matter needed form for determination and stability . The forms were available to the active mind through a multiple induction from sense experience . The subsequent ...
... matter to express its full potential and grow to maturity ; and matter needed form for determination and stability . The forms were available to the active mind through a multiple induction from sense experience . The subsequent ...
Pàgina 68
... matter gave the arts a peculiarly humanist stress , and the human skill they manifested , despite the experience of failure in tragedy , made them eminently worthwhile . Man's mind , unique in all the world , was the pilot of his life ...
... matter gave the arts a peculiarly humanist stress , and the human skill they manifested , despite the experience of failure in tragedy , made them eminently worthwhile . Man's mind , unique in all the world , was the pilot of his life ...
Pàgina 196
... matter to write about , but tried to stimulate new thought about matter already found in the raw material of experience . From then on it was a question of finding apt style , of dis- position of the parts of the composition , and the ...
... matter to write about , but tried to stimulate new thought about matter already found in the raw material of experience . From then on it was a question of finding apt style , of dis- position of the parts of the composition , and the ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word