The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 218
... limits , and throughout its tradition it also met limits from its cul- tural milieu . Both these sets of restrictions should be dis- cussed in order to understand the explicit eighteenth - century statements about the humane function of ...
... limits , and throughout its tradition it also met limits from its cul- tural milieu . Both these sets of restrictions should be dis- cussed in order to understand the explicit eighteenth - century statements about the humane function of ...
Pàgina 220
... limits to this theory of poetry , precisely because of its more or less exclusive reliance upon the objective and uni- versal characteristics of these philosophies . A third polarity should be kept in mind , that which exists between ...
... limits to this theory of poetry , precisely because of its more or less exclusive reliance upon the objective and uni- versal characteristics of these philosophies . A third polarity should be kept in mind , that which exists between ...
Pàgina 290
... limits as well as at his pervasive vitality . These critical limits have two more specific sources , pale analogues of the domi- nant limits traced in chapter V. The one is his Classical bias for the universal , even though for him it ...
... limits as well as at his pervasive vitality . These critical limits have two more specific sources , pale analogues of the domi- nant limits traced in chapter V. The one is his Classical bias for the universal , even though for him it ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word