The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 122
... less and less mimetic , until by the end of the century they were “ a phase of psychology , not ontology . " The whole bent of the eighteenth - century aesthetic , he says , was " to root the relationship of image and value in an ...
... less and less mimetic , until by the end of the century they were “ a phase of psychology , not ontology . " The whole bent of the eighteenth - century aesthetic , he says , was " to root the relationship of image and value in an ...
Pàgina 177
... less important than moral doctrine , which is " the very soul which animates it . " Wit is only a tool and a means , for satire is as instructive as moral philosophy . A few pages later he seems to contradict this when discussing the ...
... less important than moral doctrine , which is " the very soul which animates it . " Wit is only a tool and a means , for satire is as instructive as moral philosophy . A few pages later he seems to contradict this when discussing the ...
Pàgina 216
... less and less a dying poetic . And an interesting paradox ensued : the more exclu- sive and detailed the attention given to style , the less its place in poetry was understood . Form had become formalism . Further , in any kind of ...
... less and less a dying poetic . And an interesting paradox ensued : the more exclu- sive and detailed the attention given to style , the less its place in poetry was understood . Form had become formalism . Further , in any kind of ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word