The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 183
... language , was the explicit focus of his concept of poetic structure . The probable , the shaped insight , was embodied in dramatic action . Though language was obviously related to the probable , it was primarily thought of as a medium ...
... language , was the explicit focus of his concept of poetic structure . The probable , the shaped insight , was embodied in dramatic action . Though language was obviously related to the probable , it was primarily thought of as a medium ...
Pàgina 184
... language : " Knowledge is a matter of lan- guage and saying , of words and sentences , of verbalized distinctions ... language . ” 2 1. Richard McKeon , " Aristotle's Conception of Language and the Arts of Language , " in Critics and ...
... language : " Knowledge is a matter of lan- guage and saying , of words and sentences , of verbalized distinctions ... language . ” 2 1. Richard McKeon , " Aristotle's Conception of Language and the Arts of Language , " in Critics and ...
Pàgina 188
... language , he seems aware that it adds life to the intuition , though mainly dominated by it ; yet his comments on style here are less than satisfying . Poetical language is different from that of prose or rhetoric , one gathers . In ...
... language , he seems aware that it adds life to the intuition , though mainly dominated by it ; yet his comments on style here are less than satisfying . Poetical language is different from that of prose or rhetoric , one gathers . In ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word