The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 45.
Pàgina 25
... involved in forming " the probable . " Here the stress is on finding the meaning involved in human experience and activity presented in drama and poetry , not on finding its ideal archetype . The word " ideate " is used here in analogy ...
... involved in forming " the probable . " Here the stress is on finding the meaning involved in human experience and activity presented in drama and poetry , not on finding its ideal archetype . The word " ideate " is used here in analogy ...
Pàgina 253
... involved in the enjoyment of poetry . Pleasure is rather a means to virtuous knowledge , and so a species of rhetoric . His zeal in rebuk- ing “ evil writers " even goes so far as to approve of the senti- ment , while rejecting the ...
... involved in the enjoyment of poetry . Pleasure is rather a means to virtuous knowledge , and so a species of rhetoric . His zeal in rebuk- ing “ evil writers " even goes so far as to approve of the senti- ment , while rejecting the ...
Pàgina 270
... involved at all levels of experience . His critical performance , like Coleridge's a half a century later , proved that the Classical and the Modern sensibilities and discoveries in art and theory were not inimi- cal but mutually ...
... involved at all levels of experience . His critical performance , like Coleridge's a half a century later , proved that the Classical and the Modern sensibilities and discoveries in art and theory were not inimi- cal but mutually ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
No s’hi han mostrat 4 seccions
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word