The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 60.
Pàgina 32
... hence subordinate to the " uses " of man , but never at the cost of its own natural and proximately autonomous ... hence poetry is not " unreal . " Plea- sure is organically and naturally a function of this real knowledge , hence poetry ...
... hence subordinate to the " uses " of man , but never at the cost of its own natural and proximately autonomous ... hence poetry is not " unreal . " Plea- sure is organically and naturally a function of this real knowledge , hence poetry ...
Pàgina 133
... Hence the play or poem he produces must be judged differently by each . The context , more particularly , deals with the worth of drama : This drastic revision is in the concept of imitation itself . For both Plato and Aristotle the ...
... Hence the play or poem he produces must be judged differently by each . The context , more particularly , deals with the worth of drama : This drastic revision is in the concept of imitation itself . For both Plato and Aristotle the ...
Pàgina 279
... hence was considered as a relatively undefined part of the vital process . In one sense Wimsatt is justified in calling this kind of criticism affective to a fault . Nevertheless , from the passages dealt with in this chapter , it seems ...
... hence was considered as a relatively undefined part of the vital process . In one sense Wimsatt is justified in calling this kind of criticism affective to a fault . Nevertheless , from the passages dealt with in this chapter , it seems ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
No s’hi han mostrat 4 seccions
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word