The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 126
... given , " in the poem as what was significant , and in the mind of the audience as what was pleasurable contemplation . Only an intellectual realism , capable of both immersing itself in nature and yet transcending it , could achieve ...
... given , " in the poem as what was significant , and in the mind of the audience as what was pleasurable contemplation . Only an intellectual realism , capable of both immersing itself in nature and yet transcending it , could achieve ...
Pàgina 304
... given " quality which the Greek mind saw in all reality , hence its imitability ; it maintains the stubborn auton- omy of form in nature transformed into theme that is in- dependent of private whim , structure that is fruitful in being ...
... given " quality which the Greek mind saw in all reality , hence its imitability ; it maintains the stubborn auton- omy of form in nature transformed into theme that is in- dependent of private whim , structure that is fruitful in being ...
Pàgina 305
... given . " All true artists show a sense of this mimetic principle in the unselfish regard with which they view even their own work . There is a world of difference between being personal and private . An abiding sense of the importance ...
... given . " All true artists show a sense of this mimetic principle in the unselfish regard with which they view even their own work . There is a world of difference between being personal and private . An abiding sense of the importance ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word