The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Pàgina 56
... fact or its analysis . Its precise creativity is manifest in the free manipulation of fact without distortion of poetic meaning . This process , which we shall call transformation , is the key that opens the door of per- sonal vision ...
... fact or its analysis . Its precise creativity is manifest in the free manipulation of fact without distortion of poetic meaning . This process , which we shall call transformation , is the key that opens the door of per- sonal vision ...
Pàgina 136
... fact by making the fact a sign of its openness to the richness of existence ( see note I above ) . Both are distinct advances , but they are both evolutionary . Though the mimetic tradition beginning in the Poetics had good reason for ...
... fact by making the fact a sign of its openness to the richness of existence ( see note I above ) . Both are distinct advances , but they are both evolutionary . Though the mimetic tradition beginning in the Poetics had good reason for ...
Pàgina 172
... fact in any significant way . Tillyard seems to me to miss the larger meaning in the rich particularity of true tragic action . In fact Milton is frequently at his best in Paradise Lost when he is Neither the Neoplatonic nor the more ...
... fact in any significant way . Tillyard seems to me to miss the larger meaning in the rich particularity of true tragic action . In fact Milton is frequently at his best in Paradise Lost when he is Neither the Neoplatonic nor the more ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word