The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 84.
Pàgina 50
... element , and the element of style , correspond- ing roughly and in general , but with a change in the order used by Aristotle , to " the objects , " " the manner , ” and “ the medium " of imitation respectively . They are not to be ...
... element , and the element of style , correspond- ing roughly and in general , but with a change in the order used by Aristotle , to " the objects , " " the manner , ” and “ the medium " of imitation respectively . They are not to be ...
Pàgina 53
... ELEMENT AS REALISTIC KNOWLEDGE The first aspect of this cognitive element which we must stress is its realism , the first clue to understanding Classical sensibility . For Aristotle all kinds of knowledge were real- istic . The mind was ...
... ELEMENT AS REALISTIC KNOWLEDGE The first aspect of this cognitive element which we must stress is its realism , the first clue to understanding Classical sensibility . For Aristotle all kinds of knowledge were real- istic . The mind was ...
Pàgina 132
... elements of mimesis both determine and are determined by one another ; this is not a one - way street . Mimesis is both realistic and artful at the same time , each element in and through the other . The poet's work of shaping is ...
... elements of mimesis both determine and are determined by one another ; this is not a one - way street . Mimesis is both realistic and artful at the same time , each element in and through the other . The poet's work of shaping is ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word