The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 83.
Pàgina ix
... eighteenth - century critics I have absorbed what Medieval and Renaissance influences had entered the critical main- stream by then ; and I have discussed these critics in the context of the radically new cultural climate of their time ...
... eighteenth - century critics I have absorbed what Medieval and Renaissance influences had entered the critical main- stream by then ; and I have discussed these critics in the context of the radically new cultural climate of their time ...
Pàgina xi
... eighteenth - century critics employed the frame- work of the Poetics in their discussion of poetry and its function ; and both then and now this document has been understood in a variety of ways . One may ask how legitimate it is to ...
... eighteenth - century critics employed the frame- work of the Poetics in their discussion of poetry and its function ; and both then and now this document has been understood in a variety of ways . One may ask how legitimate it is to ...
Pàgina 180
... eighteenth - century theory worked in the opposite direction . Such a reverse of process is characteristically rhetorical , for rhetoric is a transitive and not an autonomous art . Since its primary concern is with audience response ...
... eighteenth - century theory worked in the opposite direction . Such a reverse of process is characteristically rhetorical , for rhetoric is a transitive and not an autonomous art . Since its primary concern is with audience response ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word