The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
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Resultats 1 - 3 de 31.
Pàgina 65
... derived from a more or less photographic observation . Men's motives and characters , the causality , to use a ... derive from Locke . Deriving intel- 18. Randall , Aristotle , p . 278 ; Wimsatt , The Verbal Icon , pp . 62-63 . This ...
... derived from a more or less photographic observation . Men's motives and characters , the causality , to use a ... derive from Locke . Deriving intel- 18. Randall , Aristotle , p . 278 ; Wimsatt , The Verbal Icon , pp . 62-63 . This ...
Pàgina 97
... derived from experience through penetrating understanding and reasoned argument . Ideas for him were " bundles " of impressions , best accounted for by sheer sub- jective assemblage and not by a similarity of meaning.67 The noetic here ...
... derived from experience through penetrating understanding and reasoned argument . Ideas for him were " bundles " of impressions , best accounted for by sheer sub- jective assemblage and not by a similarity of meaning.67 The noetic here ...
Pàgina 220
... derive from the concept of mimesis itself are Aris- totelian in origin . Although Platonic elements entered the discussion of the cognitive and structural elements of imita- tion , it was usually through a misunderstanding of the theory ...
... derive from the concept of mimesis itself are Aris- totelian in origin . Although Platonic elements entered the discussion of the cognitive and structural elements of imita- tion , it was usually through a misunderstanding of the theory ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word