The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 73.
Pàgina 21
... concept which originally meant a faithful copying of preexistent things , to make it mean a creation of things which have never existed , or whose existence , if they did exist , is acci- dental to the poetic process . Copying is after ...
... concept which originally meant a faithful copying of preexistent things , to make it mean a creation of things which have never existed , or whose existence , if they did exist , is acci- dental to the poetic process . Copying is after ...
Pàgina 98
... concept of mimetic poetry can be found among the critics we are studying . The first of these was the attenuation or thinning out of the concept of imitation . This means that form in the cogni- tive element was thought of as derived ...
... concept of mimetic poetry can be found among the critics we are studying . The first of these was the attenuation or thinning out of the concept of imitation . This means that form in the cogni- tive element was thought of as derived ...
Pàgina 135
... concept , but the poem's concrete coun- terpart of nature's dramatic achievement , shaped by the response of the poet's " objective sensibility . " Here , then , is the ultimate realism of mimesis , which achieves in its own order , as ...
... concept , but the poem's concrete coun- terpart of nature's dramatic achievement , shaped by the response of the poet's " objective sensibility . " Here , then , is the ultimate realism of mimesis , which achieves in its own order , as ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word