The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 40.
Pàgina 22
... action ( 1448a ) , " and this idea is repeated throughout the Poetics . In a minimal way , this can only mean that to be viable as structure a drama must present , be about , significant human action ; for the forms of probability ...
... action ( 1448a ) , " and this idea is repeated throughout the Poetics . In a minimal way , this can only mean that to be viable as structure a drama must present , be about , significant human action ; for the forms of probability ...
Pàgina 134
... action that is complete , and whole , and of a certain magnitude " ( 1450b ) . It is whole , he says , when it has a ... action . In fact structure is a less dynamic , if conceptually more manageable notion of the poem as an action . For ...
... action that is complete , and whole , and of a certain magnitude " ( 1450b ) . It is whole , he says , when it has a ... action . In fact structure is a less dynamic , if conceptually more manageable notion of the poem as an action . For ...
Pàgina 135
... action . If the poet ( as Else would stress ) and , in turn , his poem imitate nature , they do so in action . What is nature's action which they imitate ? It is the concrete process whereby nature attains its fulfillment , its ...
... action . If the poet ( as Else would stress ) and , in turn , his poem imitate nature , they do so in action . What is nature's action which they imitate ? It is the concrete process whereby nature attains its fulfillment , its ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word