The Function of Mimesis and Its DeclineHarvard University Press, 1968 - 317 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 85.
Pàgina 20
... Aristotle's Poetics : The Argument , insists that the imitating referred to is the poet's activity , the operation ... Aristotle's view of the mimetic is an advance over Plato's . This is in the matter of structure . It was certainly ...
... Aristotle's Poetics : The Argument , insists that the imitating referred to is the poet's activity , the operation ... Aristotle's view of the mimetic is an advance over Plato's . This is in the matter of structure . It was certainly ...
Pàgina 21
... Aristotle's use of mimesis would be inconceivable.20 Earlier , however , with the distinction between copying and creating in mind , he stresses the differences between Plato's and Aristotle's use of the word : " It becomes in his ...
... Aristotle's use of mimesis would be inconceivable.20 Earlier , however , with the distinction between copying and creating in mind , he stresses the differences between Plato's and Aristotle's use of the word : " It becomes in his ...
Pàgina 59
... Aristotle's time it has been paraphrased as " the humanly significant , ” “ truth - to - life , ” “ the universal . " Perhaps to call ( in its highest form , of imitating the Ideas ) , and we would have to admit that in Aristotelian ...
... Aristotle's time it has been paraphrased as " the humanly significant , ” “ truth - to - life , ” “ the universal . " Perhaps to call ( in its highest form , of imitating the Ideas ) , and we would have to admit that in Aristotelian ...
Continguts
Three Views and Three Phases I | 1 |
The Cognitive Element | 51 |
The Structural Element | 130 |
Copyright | |
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achieved Addison aesthetic analogy Aristotelian Aristotle audience autonomy beauty chapter Christian claim Classical comedy concept context cultural deism Dennis derived didactic discussion divine doctrine drama Dryden eighteenth century eighteenth-century critics emotions empirical empiricism epic epistemology Essays ethical experience F. L. Lucas function of poetry genre Greek hence Horace Horace's Horatian Horatian formula Hugh Blair human Ibid idea ideal imitation intellectual intuition John John Dennis John Dryden katharsis kind knowledge limits Literary Criticism literature London meaning ment metaphysical metonymy mimesis mimetic mind moral climate moralistic nature Neoclassical Neoplatonic Neoptolemus notion object passions philosophy Plato pleasurable contemplation plot poem poet poet's poetic justice poetic theory precisely probable problem psychological Randall rationalism realism reality reason Renaissance rhetorical Samuel Johnson satire says scientism sense speaking stress structure style tended tendency things thought tion tradition tragedy transcendent truth ultimate University Press virtue Wimsatt word