Bavius among the Romans, is proverbial | John Payne, and one or two others under for vileness. Dryden says he Reigned without dispute Through all the realms of nonsense absolute. Dryden: Mac Flecknoe. Fleda Ringgan. In Warner's Queechy (q.v.). Fleet Book Evidence. No evidence at all. The books of the Old Fleet prison are not admissible as evidence to prove a marriage. Fleet Marriages. Clandestine marriages, at one time performed without banns or license by needy chaplains, in Fleet Prison, London. As many as thirty marriages a day were sometimes celebrated in this disgraceful manner; and Malcolm tells us that 2,954 were registered in the four months ending with February 12, 1705. Suppressed and declared null and void in 1774. The Chaplain of the Fleet, by Besant and Rice, contains a good account of the evils connected with Fleet marriages. Fleet Street (London). Now synony mous with journalism and newspaperdom, Fleet Street was a famous thoroughfare centuries before the first newspaper was published there at the close of the 18th century. It takes its name from the old Fleet River. Fleetwood, Lord. One of the partners to "the Amazing Marriage" in Meredith's novel of that name. See Amazing Marriage. Fleming, Henry. The hero of Stephen Crane's Red Badge of Courage (q.v.). Fleming, Rhoda. Titular heroine of Meredith's novel Rhoda Fleming (q.v.). Dahlia Fleming is an important character in the same novel. were Flemish Account. A sum less than that expected. In Antwerp accounts kept in livres, sols, and pence; but the livre or pound was only 12s.; hence, an account of 100 livres Flemish was worth £60 only, instead of £100, to the English creditor. Flesh-pots. Sighing for the flesh-pots of Egypt. Hankering for good things no longer at your command. The children of Israel said they wished they had died "when they sat by the flesh-pots of Egypt" (Exod. xvi. 3) rather than embarked on their long sojourn in the wilderness. Fleshly School, The. In the Contemporary Review for October, 1871, Robert Buchanan published a violent attack on the poetry and literary methods of Swinburne, Rossetti, Morris, O'Shaughnessy, the heading The Fleshly School of Poetry, and over the signature "Thomas Maitland." The incident created a literary sensation. Buchanan at first denied the authorship but was soon obliged to admit it, and some years later was reconciled to Rossetti, his chief victim. Swinburne's very trenchant reply is to be found in his Under the Microscope (1872). Flestrin, Quinbus. See Quinbus Flestrin. Fletcher, John (1579-1625). English dramatist. See Beaumont and Fletcher. Fletcher, John Gould (1886–- ). English poet, one of the outstanding exponents of the Imagist school (q.v.). His best-known volume is Preludes and Symphonies. Fletcher, Phineas. An important character in Craik's John Halifax, Gentleman (q.v.). Fletcherize. To chew one's food long and carefully. The term was popularized in the early years of the 20th century by the lectures of Horace Fletcher, who maintained that such a habit would do away with any dyspeptic tendency and go far toward insuring perfect health. Fleur Forsyte. In Galsworthy's Forsyte Saga (q.v.). Fleurs de Mal (Flowers of Evil). The best-known volume of poetry by Charles Baudelaire (Fr. 1821-1867). Flibbertigibbet. One of the five fiends Shakespeare got the name from Harsnet's that possessed" poor Tom " in King Lear. Declaration of Egregious Popish Impostures (1603), where we are told of forty fiends which the Jesuits cast out, and among the number was "Fliberdigibet." a name which had previously been used by Latimer and others for a mischievous gossip. Shakespeare says he "is the fiend of mopping and mowing, who possesses chambermaids and waiting women (Lear, iv); and, again, that he "begins at curfew and walks till the first cock," where he seems to identify him with the will o' the wisp, giving men pins and needles, squint eyes, harelips, and so on (Lear, iii. 4). Elsewhere the name is apparently a synonym for Puck. Flint, Trueman. In M. S. Cummins' Lamplighter (q.v.), the old lamplighter who brought up the heroine as his daughter. Flirt, The. A novel by Booth Tarkington (Am. 1913) analyzing the schemes and maneuvers of the titular heroine, Cora Madison, and their ruinous effect on her Florence Dombey. See Dombey. Florent or Florentius. In Gower's Be she foul as was Florentius' lover.- Shakespeare: Florestan, Don Fernando. The hero of Florestan, Prince. A character in Dis- Florian, St. See under Saint. Floriani, Lucretia. See Lucretia Floriani. Flor'imel. A character in Spenser's Florin'da. In Southey's Roderick, the in large numbers and drove Roderick Flor'isel of Nice'a. A knight whose Flor'ismart. One of Charlemagne's Florʼizel. Son of Polixenes, king of Flower of Chivalry. (1) Sir William Flowery Kingdom, The. China. The Fluellen. A Welsh captain and great His parallel is, in all essential circumstances, as in- - Flute. In Shakespeare's Midsummer Flute: What is Thisbe? a wandering knight? Flute, The Magic. See Magic Flute. It is said that no fly was ever seen in The god or lord of flies. In the temple Pretty! in amber, to observe the forms Of hairs, or straws, or dirt, or grubs or worms, Pope: Ep. to Arbuthnot, 169-72. The fly in the ointment. The trifling Dead flies cause the ointment of the apothecary The fly on the coach-wheel. One who There are no flies on him. He's all right; Fly-by-night. One who defrauds his Flying Dutchman. A legendary spectral Fogarty, Phil. Hero of a burlesque of entitled Phil Fogarty, a Tale of the Onety- Fogg. (In Dickens' Pickwick Papers.) Fogg, Phileas. Hero of Jules Verne's Fo-hi. A hero of ancient Chinese the East. Foker, Henry. In Thackeray's Penden- Follies, The. A species of modern attractions are color and costume, good Fool. A fool's Paradise. To be in a The Feast of Fools. A kind of Satur- The wisest fool in Christendom. James I Court Fools. From medieval times till Among the most celebrated court fools are: Rayère, of Henry I; Scogan, of Edward James Geddes, to Mary Queen of Scots; Will Somers (d. 1560), Henry VIII's The fools of Charles V of France were The guild "fools" of medieval times Foot. In prosody, a division in verse Scansion. Foppington, Lord. An empty coxcomb "The shoemaker in the Relapse tells Lord Foppington Forbidden. The Forbidden Fruit. Figuratively, un- Ford. In Shakespeare's Merry Wives of Windsor (q.v.), a gentleman of fortune living at Windsor. Falstaff makes love to his wife, but is the dupe of the situation. Mrs. Ford. Wife of Mr. Ford. Sir John Falstaff pays court to her, and she pretends to accept his protestations of love, in order to expose and punish him. Her husband assumes for the nonce the name of Brook, and Sir John tells him from time to time the progress of his suit, and how he succeeds in duping her fool of a husband. Foregone Conclusion, A. A novel by W. D. Howells' (Am. 1875). The scene is laid in Venice. The " foregone conclusion" is a tragic end to the love of the Venetian priest-inventor Don Ippolito for the young American girl, Florida Vervain, to whom he acts for a time as tutor. Ippolito is tormented by scepticism and by his love for this reserved and haughty girl who can at times give way to violent emotion. The priest's confidant is Ferris, the United States consul, a man of honor, but himself secretly in love with Florida. Forest City. Cleveland. See under City. Forest Lovers, The. A romance by Maurice Hewlett (Eng. 1898). The hero, Prosper le Gai, marries out of pity a waif who turns out to be Countess Isoult of Morgraunt. Forlorn Hope. This phrase is the Dutch verloren hoop, the lost squad or troop, and is due to a misunderstanding, as the words are not connected with our forlorn or hope. It is now usually applied to a body of men specially selected for some desperate or very dangerous enterprise. Forsaken Merman, The. A poem by Matthew Arnold (1822-1888), relating the story of a merman whose human wife, Margaret, left him and her children to go back to pray in church and never returned. Forsyte Saga, The. A series of novels by John Galsworthy (Eng. 1867which appeared separately but were later published in one volume (1922) and which, together with The White Monkey (1924), trace the fortunes of the Forsyte family. The five books of the Forsyte Saga are: The Man of Property, In Chancery and To Let, with two interludes,' The Indian Summer of a Forsyte and The Awakening. The "Man of Property" and the chief character of the entire Saga is Soames Forsyte, the son of the eldest of six Forsyte brothers who are prosperously settled about the London parks. Soames plans to build himself a suitable house and employs Philip Bosinney, a brilliant young architect who is engaged to June Forsyte, the daughter of Soames' uncle, who is always spoken of in family circles as "Young Jolyon." Desperate at being considered, like everything else in Soames' life, as his "property" to do with as he will, his young wife Irene falls in love with Bosinney. When the two run off together, Soames' rage over his thwarted sense of ownership knows no bounds, and he employs all the means that money and power can give to punish them. Bosinney is killed. Years later, Irene marries Young Jolyon, the only one of the Forsytes who shows any real understanding of other attitudes toward life than that assumed by the Forsytes. The Indian Summer of a Forsyte is an episode in the life of Old Jolyon, then a very old man; and The Awakening presents a simple story of the childhood of one of the new generation of Forsytes. To Let also is a story of the younger generation. Soames has married a French woman and his latter life is taken up with his devotion to his engaging young daughter, Fleur. To his utter horror, Fleur falls in love with her cousin Jon, the son of Young Jolyon and Irene. Both young people have been kept in ignorance of the past, and when the truth comes out, Jon chooses to give Fleur up and remain loyal to his mother. In the White Monkey Fleur marries Michael Mont, a young publisher. This last novel deals with after-the-war conditions in England. Perhaps the best expression of the Forsyte attitude toward life is given by Young Jolyon when he ironically warns the artistic young Bosinney of the new world he is about to enter when he plans to marry June: Art, literature, religion survive by virtue of the few cranks who really believe in such things and the many Forsytes who make a commercial use of them. The Forsytes are the middlemen, the commercials, the pillars of society, the corner-stones of convention, everything that is admirable My people are not very extreme, and they have their own private peculiarities like every other family, but they possess in a remarkable degree those two qualities which are the real tests of a Forsyte the power of never being able to give yourself up to anything soul and body, and the 'sense of property. Of Soames, Galsworthy says in his Preface to The Forsyte Saga: He, too [the author] pities Soames, the tragedy of whose life is the very simple, uncontrollable tragedy of being unlovable without quite a thick enough skin to be thoroughly unconscious of the fact. For'tinbras. Prince of Norway in Shakespeare's Hamlet. Fortuna. In classic mythology, the goddess of good fortune or chance. She |