 | Roland Barthes - 1987 - 386 pàgines
...very thing which ceaselessly calls any origin into question. We know now that a text consists not of a line of words, releasing a single "theological" meaning (the "message" of the Author-God), but of a multi-dimensional space in which are married and contested several writings, none of which is... | |
 | Heide Ziegler - 1988 - 318 pàgines
...us as authorities who will tell them what to think. To that extent Barthes is right to say that "a text is not a line of words releasing a single 'theological'...'message' of the AuthorGod) but a multidimensional space," 2 but his further argument that we are all mere unoriginal citers of past texts cannot be sustained.... | |
 | Sanford Levinson, Steven Mailloux - 1988 - 524 pàgines
...demystification leads to another. He made the connection himself: We know that a text does not consist of a line of words, releasing a single "theological" meaning (the "message" of the Author-God), but is a space of many dimensions, in which are wedded and contested various kinds of writing, no one of... | |
 | Theo d' Haen, Theo d'. Haen, Johannes Willem Bertens - 1990 - 286 pàgines
...plays out the famous theory that Barthes expounded in The Death of the Author": We know now that a text is not a line of words releasing a single "theological" meaning (the message of the AuthorGod) but a multi -dimensional space in which a variety of writings, none of them original, blend and clash. The... | |
 | François Jost, Melvin J. Friedman - 1990 - 300 pàgines
...starts with the "death of the author," long ago formulated by Roland Barthes. "We know," he tells us, "that the text is not a line of words releasing a single 'theological' meaning (the message of an Author-God) but a multi-dimensional space in which a variety of writings, none of them original,... | |
 | Philip G. Cohen - 1991 - 244 pàgines
...up to the intertextual, even metatextual, loci of language. See Roland Barthes in Intage-Music-Text: "The text is not a line of words releasing a single 'theological' meaning (the 'message' of an Author-God), but a multi-dimensional space in which a variety of writings, none of them original,... | |
 | Stephen D. Moore - 1992 - 228 pàgines
...uncommitted on the identity of the man (Book ofKells, 87). 76. See Barthes, "Death of the Author," 148. "A text is not a line of words releasing a single 'theological'...of the Author-God) but a multi-dimensional space" (146). Figure 2. Matthew 27:38 (Tune crucifixerant XRI turn co duos latrones) from the Book of Kdb.... | |
 | Robert Stam, Robert Burgoyne, Sandy Flitterman-Lewis - 1992 - 260 pàgines
...energy. an ongoing production absorbing writer and reader together. "We now know." Barthes writes. "that the text is not a line of words releasing a single 'theological' meaning (the 'message' of an Author-God) but a multi-dimensional space in which a variety of writings. none of them original.... | |
 | Scott Cutler Shershow - 1995 - 282 pàgines
...production that prevailed in the Middle Ages. Both authorship itself and the related belief in the text as "a line of words releasing a single 'theological' meaning (the message of the Author-God)," Roland Barthes concludes in a celebrated essay, were the product of "the personal faith of the Reformation"... | |
 | Paul Crowther - 1993 - 228 pàgines
...of these sceptical approaches. The first is poststructuralist. Roland Barthes, for example, claims that the text is not a line of words releasing a single 'theological' (the message of the Author-God) but a multidimensional space in which a variety of writings, none of... | |
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We know now that a text is not a line of words releasing a single 'theological' meaning (the 'message' of the Author-God) but a multi-dimensional space in which a variety of writing, none of them original, blend and clash. 
