William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1 de set. 2003 - 568 pàgines The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Pàgina 3
... never confer beauties' (Idler 57; 19 May 1759). The relative estimating of Shakespeare's 'Beauties and Faults', although often disvalued by modern critics as a mechanical exercise, was nevertheless one of the most persistent modes in ...
... never confer beauties' (Idler 57; 19 May 1759). The relative estimating of Shakespeare's 'Beauties and Faults', although often disvalued by modern critics as a mechanical exercise, was nevertheless one of the most persistent modes in ...
Pàgina 14
... never lifting up his voice against those formal figures called the three UNITIES. They have amused the town with the words truth and nature and probability, till they have appointed such narrow limits to dramatic composition that genius ...
... never lifting up his voice against those formal figures called the three UNITIES. They have amused the town with the words truth and nature and probability, till they have appointed such narrow limits to dramatic composition that genius ...
Pàgina 15
... never thus deceived.We know that we are in the playhouse, that the persons before us are actors, and that the thing represented either happened before, or perhaps never happened at all. The pleasure we have in a dramatical performance ...
... never thus deceived.We know that we are in the playhouse, that the persons before us are actors, and that the thing represented either happened before, or perhaps never happened at all. The pleasure we have in a dramatical performance ...
Pàgina 30
... never whindled, whined, or blubbered. In his Rage he never mouthed or ranted. In recording his appreciation of Booth's Lear, however, Cibber focused on the man himself: Mr. Booth's general Deportment was Majestic, yet he used no more of ...
... never whindled, whined, or blubbered. In his Rage he never mouthed or ranted. In recording his appreciation of Booth's Lear, however, Cibber focused on the man himself: Mr. Booth's general Deportment was Majestic, yet he used no more of ...
Pàgina 37
... never rises to Mirth' but is ever 'a mixed Emotion ofJoy and Malice', a humour which never 'takes off the Mask'.Thus in his wooing of Anne his dissimulation utters 'Words...[that] come from him like Flakes of feathered Snow, that melted ...
... never rises to Mirth' but is ever 'a mixed Emotion ofJoy and Malice', a humour which never 'takes off the Mask'.Thus in his wooing of Anne his dissimulation utters 'Words...[that] come from him like Flakes of feathered Snow, that melted ...
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Previsualització limitada - 2003 |
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absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers