Beyond Tragedy: Structure and Experience in Shakespeare's RomancesUniversity Press of Kentucky, 15 de jul. 2014 - 160 pàgines In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy." The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life, characters can experience a second time of joy and peace, and the audience's conventional expectations about reality and literature are challenged and enlarged. In the late tragedies of King Lear and Antony and Cleopatra, Uphaus finds the tragic structure augmented by elements that will later contribute to the form of the romances. Turning then to the romances themselves, he sees these plays as forming a profession in which Pericles is a brilliant outline of the conventions of romance and Cymbeline is romance taken to its dramatic limits, in fact to the point of parody. Through his fresh and provocative readings of the plays we experience anew the delight of Shakespearean romance and glimpse the world of renewal at its heart. |
Des de l'interior del llibre
Resultats 1 - 5 de 9.
... Edgar , who is legitimate , with nothing . When he pre- sents a forged letter to Gloucester , Edmund enacts and entraps Gloucester in another version of nothing : Gloucester . What paper were you reading ? Edmund . Nothing , my lord ...
... Edgar , and Kent , to a kind of bastard : " Thou hast par'd thy wit o ' both sides , and left nothing i ' th ' middle ... now thou art an O without a figure . I am better than thou art now , I am a Fool , thou art nothing " ( 187-88 ...
... Edgar's opening speech in Act IV , which in- timates the regenerative powers of romance : Yet better thus , and known to be contemn'd , Than still contemn'd and flatter'd . To be worst , The lowest and most dejected thing of fortune ...
... Edgar's attempt to show how a sense of the miraculous may grow out of the worst of misery . In this scene Edgar tries to convince Gloucester that tragedy isn't necessarily the be - all and end - all , that there is a realm of experience ...
... Edgar's and Cordelia's attempts to lift the play beyond trag- edy . Though imprisoned , Lear argues that he and Cordelia are free of a tragic world and thereby endowed with a kind of divine aware- ness . They are , he declares , above ...
Continguts
1 | |
12 | |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance | 49 |
The Issues of The Winters Tale | 69 |
Prosperos Art and the Descent of Romance | 92 |
History Romance and Henry VIII | 118 |
NOTES | 141 |
INDEX | 149 |
Altres edicions - Mostra-ho tot
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volum 10 Robert W. Uphaus Previsualització limitada - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Previsualització limitada - 2021 |
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volum 10 Robert W. Uphaus Visualització de fragments - 1981 |