The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 19.
Pàgina 29
... rhythm of verse are destroyed ; many words are not distin- guishable in sound from others of somewhat similar form , though of widely different signification ; and the whole delivery is confused and inelegant . With a distinct ...
... rhythm of verse are destroyed ; many words are not distin- guishable in sound from others of somewhat similar form , though of widely different signification ; and the whole delivery is confused and inelegant . With a distinct ...
Pàgina 87
... rhythm of English versification . This will be more fully treated of under the head of " Time , " in the chapter de- voted to the Reading of Verse . Here it is necessary to remark , that there is a certain rhythmical , or measured ...
... rhythm of English versification . This will be more fully treated of under the head of " Time , " in the chapter de- voted to the Reading of Verse . Here it is necessary to remark , that there is a certain rhythmical , or measured ...
Pàgina 89
... rhythm as the notes themselves , and , in verse especially , it is on their due and proportionate observ- ance , as well as of the heavy and light syllables , that rhythm depends . All this is more fully explained hereafter : but I ...
... rhythm as the notes themselves , and , in verse especially , it is on their due and proportionate observ- ance , as well as of the heavy and light syllables , that rhythm depends . All this is more fully explained hereafter : but I ...
Pàgina 153
... RHYTHM and MELODY . G * 1. RHYTHM is musical order of arrangement : it is READING OF VERSE . 153.
... RHYTHM and MELODY . G * 1. RHYTHM is musical order of arrangement : it is READING OF VERSE . 153.
Pàgina 154
... rhythm even in prose ; but it is uncertain , irregular and fickle . Verse is the music of language ; rhythm is its essential quality ; the regularity and perfection of which distinguish it from prose . Verse is addressed to the ear ...
... rhythm even in prose ; but it is uncertain , irregular and fickle . Verse is the music of language ; rhythm is its essential quality ; the regularity and perfection of which distinguish it from prose . Verse is addressed to the ear ...
Altres edicions - Mostra-ho tot
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Visualització completa - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Visualització completa - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Previsualització no disponible - 2015 |
Frases i termes més freqüents
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Passatges populars
Pàgina 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Pàgina 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Pàgina 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Pàgina 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Pàgina 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Pàgina 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Pàgina 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Pàgina 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Pàgina 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Pàgina 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...