Artistic Relations: Literature and the Visual Arts in Nineteenth-century France

Portada
Peter Collier, Robert Lethbridge, Professor of French Language and Literature Robert Lethbridge
Yale University Press, 1 de gen. 1994 - 352 pàgines
In this innovative volume, literary critics and art historians explore the relationship between literature and the visual arts in 19th-century France. Eighteen leading scholars, including Pierre Bourdieu, Germaine Greer, Segolene Le Men, Roger Cardinal and Mary Ann Caws analyse contemporary forms of representation to reveal the rich variety of factors that link image and text.
 

Pàgines seleccionades

Continguts

Structures of cultural production in nineteenthcentury France
15
aesthetics art criticism and literary practice
61
Goethe
76
Book illustration
94
Balzac Ingres and the art
111
French photography in the 1850s
130
Manets textual frames
144
migrations of the Romantic image
161
Victor Hugo somnambulist of the sea
209
narrative approaches to the work of
222
descriptions of painting in the
239
the shaping of a vision
253
Sex and the occult in Symbolist art and literature
264
Orpheus returning
278
Dancing with Mallarmé and Seurat and Loie Fuller
291
Notes
303

Transpositions
178
Stendhals art history and the making of a novelist
192
Notes on contributors
338
Copyright

Frases i termes més freqüents

Académie Julian aesthetic appear art criticism artist atelier Balzac Bashkirtseff Baudelaire Baudelaire's Beaux-Arts becomes calotype Cambridge century Cézanne Chahut chiaroscuro colour complètes contemporary context cultural daguerreotype Dante Dante's Delacroix drawing edition Edouard Manet engraving essay exhibition female femme figure française France French Gallimard Gauguin Gautier genre Georges Seurat Goethe's Goncourts Histoire Hugo's imagination Ingres Ingres's Jean-Auguste-Dominique Ingres July Monarchy L'Art literary literature London Mallarmé Manet Marie Bashkirtseff modern Musée narrative nature nineteenth nineteenth-century novel object Œuvres Orpheus painter painting Paris Paul Gauguin peinture Peter Collier photography pictorial picture Pierre poem poet poetic poetry portrait pose produced prose published Puvis de Chavannes reader reading reference relation relationship representation Rimbaud Rodin Romantic Sainte-Beuve Salon Seurat siècle social Stendhal suggest symbolic Symbolist Théophile Gautier theory tion Tony Robert-Fleury tradition University Press Valéry Victor Hugo vignette vision visual arts women writers Zola Zola's

Referències a aquest llibre

Sobre l'autor (1994)

Peter Collier is an author who often collaborated on his boooks with David Horowitz. Together they co-wrote books about dynasty families like: The Rockefellers: An American Dynasty (1976), The Kennedys: An American Drama (1984) and The Fords: An American Epic (1987), and in 1994 Collier published The Roosevelts: An American Saga, with Horowitz contributing. In addition, Collier wrote a novel, Down River (1979); a children's book, The King's Giraffe (with his wife, 1996); and books honoring military figures like Medal of Honor: Portraits of Valor Beyond the Call of Duty (2003). During the 1960s and '70s, Collier and Horowitz worked together on the New Left journal Ramparts, but "made a 180-degree turn and began writing books and articles from the conservative side of the spectrum. Their 1989 book, Destructive Generation: Second Thoughts About the Sixties, attacked what they perceived to be the nostalgia that had grown up around that decade. In 1998, Collier founded Encounter Books, which has published a range of authors, many of them conservative. Peter Collier passed away on November 1, 2019 from leukemia. He was 80 years old.

Informació bibliogràfica

TítolArtistic Relations: Literature and the Visual Arts in Nineteenth-century France
EditorsPeter Collier, Robert Lethbridge, Professor of French Language and Literature Robert Lethbridge
Edicióíntegra
EditorYale University Press, 1994
ISBN0300060092, 9780300060096
Nre. de pàgines352 pàgines
  
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