Chimes at Midnight: Orson Welles, DirectorRutgers University Press, 1988 - 340 pāgines Among the films inspired by Orson Welles's lifelong involvement with Shakespeare, the greatest is Chimes at Midnight (1966). It is a masterly conflation of the Shakespearean history plays that feature Falstaff, the great comic figure played by Welles himself in the film. For Welles, the character was also potentially tragic: the doomed friendship between Falstaff and Prince Hal becomes an image of the end of an age. To this epic subject Welles brings the innovative film techniques that made him famous in Citizen Kane, The Lady from Shanghai,"and Touch of Evil. This volume offers a complete continuity script of Chimes at Midnight, including its famous battle sequence. Each shot is described in detail and is keyed to the original Shakesperian sources, thus making the volume an invaluable guide to Welles as an adaptor and creator of texts. The first complete transcription of the continuity script of Chimes is accompanied by the editor's critical introduction on Welles's transformation of Shakespeare; a special interview with Keith Baxter, one of the film's principal actors, which discusses its production history; reviews and articles; and a biographical sketch of Welles, a filmography, and a bibliography. |
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Continguts
Filmography and Bibliography | 9 |
Introduction New York World Journal Tribune | 17 |
A Biographical The New Statesman John | 294 |
Interviews Cahiers du Cinéma Serge | 301 |
Reviews and Commentaries Rule and Misrule in Henry | 307 |
Michael Anderegg326 | 326 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
advances appears armor background balcony Bardolph battle begins blow body camera pans camera tracks carrying castle Chief Justice Chimes close comes continues crosses crowd crown death Doll door enters face falls Falstaff father figure film follow foot foreground forward four frame front give ground hall hand head Henry High angle holds horse horsemen Hostess Hotspur John King King's Lady Percy laughing leaves looks lord Low angle LS lower moves never Orson partially passes past Peto Pistol play Prince and Poins raises ride rider scene screen seen Shakespeare Shallow shoot shot shoulder side Silence sitting soldiers sound speak stands stops sword takes tavern thee thou throne trees turns visible voice walks wall Welles's Westmoreland women Worcester