Petrus Christus: His Place in Fifteenth-Century Flemish Painting

actual Altarpiece angel Annunciation appears arch artistic association attributed become Berlin Bruges Brussels Bulletin central century Christus's church City close Collection color compared composition dated death Detail devotional direct drawing early event example Exeter experience expression Eyck's Eyckian face fact figure Flemish formal four frame Frick Friedländer Gallery hand head Hours important individual Italy Jan van Eyck Jan Vos Joseph known Lamentation Last light London look Madonna Madonna and Child Mary Master meaning Museum natural objective oeuvre original painter painting panel Panofsky Paris particular patron perspective Petrus Christus pictorial picture plane plate Portrait possible presence reality recall relationship represented Roger Saint Saint Eloy seems seen separate similar space spatial specific standing subjective suggested surface symbolic tradition tree triptych Turin-Milan turn viewer Virgin visual wall Washington Nativity Weyden York young