Anecdotes of Polite Literature ...G. Burnet, 1764 |
Des de l'interior del llibre
Resultats 1 - 5 de 19.
Pàgina 2
... terror perfectly refines in us all forts of paffions . The most important part of tragedy , according to the fame critic , is the fable , or the compofition of things : for tra- gedy is an imitation , not of men , but of their actions ...
... terror perfectly refines in us all forts of paffions . The most important part of tragedy , according to the fame critic , is the fable , or the compofition of things : for tra- gedy is an imitation , not of men , but of their actions ...
Pàgina 20
... . der how many excellent tragedies , in which our terror and compaffion are * Letters prefixed to Elfrida . raised to the greatest degree , have been composed on raifed ( 20 ) Neither the unities of action, of time, ...
... . der how many excellent tragedies , in which our terror and compaffion are * Letters prefixed to Elfrida . raised to the greatest degree , have been composed on raifed ( 20 ) Neither the unities of action, of time, ...
Pàgina 22
... through all the perfonages ; in fuch a piece our terror and pity will be moved to the greatest degree : but this cannot be where the unities are obferved . - Let us confider the the original of thefe unities ; Brumoy gives us the ( 22 )
... through all the perfonages ; in fuch a piece our terror and pity will be moved to the greatest degree : but this cannot be where the unities are obferved . - Let us confider the the original of thefe unities ; Brumoy gives us the ( 22 )
Pàgina 34
... entire , and of a juft length , and which , without the help of narration , raifes pity and terror in the beholder's breaft , breaft , and refines the perturbed pal- fions * " 16 ( 34 ) deavouring to prove this, he ridiculously ...
... entire , and of a juft length , and which , without the help of narration , raifes pity and terror in the beholder's breaft , breaft , and refines the perturbed pal- fions * " 16 ( 34 ) deavouring to prove this, he ridiculously ...
Pàgina 35
... from the fable , which will remain juft as complete without , as with it . It di vides the attention of the audience , and * Critical Obfervations on Shakespear , p . 42 . calls D 2 calls off our pity and terror from the heroes of ( 35 )
... from the fable , which will remain juft as complete without , as with it . It di vides the attention of the audience , and * Critical Obfervations on Shakespear , p . 42 . calls D 2 calls off our pity and terror from the heroes of ( 35 )
Frases i termes més freqüents
abfurd action affecting againſt alfo almoft Alonzo alſo anfwer Arzaces audience Barbaroffa becauſe Carlos cataſtrophe Cato character compaffion compofed compofition Corneille Creon Criticifm death diſcover epifodes expreffed fable faid falfe fame fatire fays fcene fenti fentiments fhall fhews fhort fhould firſt fituation fome fometimes foul fpeaking fpectator fpeech French ftage ftrokes fubject fuch fuppofe furprize gedy genius greateſt Hamlet Henriade hiftory himſelf intereft juft Juliet king la Henriade laft language laſt lefs Leonora Macbeth manner ment moft Monf moſt muft murder muſt n'eft nature neceffary noble obferved occafion Othello paffages paffion pathetic perfon perfonages piece pity play pleaſure poet prefent Preferved prince of Condé profe Racine racter raiſed reafon refemblance refpect reprefentation reprefented Revenge rife Romeo Romeo and Juliet ſcene Semiramis Shakeſpear Sophocles ſpeak terror theatre thee thefe theſe thofe thoſe tion tragedy tranflation unities Voltaire whofe wrote Zanga Zara
Passatges populars
Pàgina 134 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Pàgina 185 - Good heav'ns, is this, — is this the man who braves me? Who bids my age make way, drives me before him, To the world's ridge, and sweeps me off like rubbish?
Pàgina 135 - Let me not think on't; frailty, thy name is woman A little month, or ere those shoes were old With which she...
Pàgina 42 - James, in which this tragedy was written, many circumstances concurred to propagate and confirm this opinion. The king, who was much celebrated for his knowledge, had, before his arrival in England, not only examined in person a woman accused of witchcraft but had given a very formal account of the practices and...
Pàgina 135 - ... uncle, My father's brother, but no more like my father Than I to Hercules: within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married.
Pàgina 40 - IN order to make a true estimate of the abilities and merit of a writer, it is always necessary to examine the genius of his age, and the opinions of his contemporaries.
Pàgina 43 - Shakespeare might be easily allowed to found a play, especially since he has followed with great exactness such histories as were then thought true ; nor can it be doubted that the scenes of enchantment, however they may now be ridiculed, were both by himself and his audience thought awful and affecting.
Pàgina 135 - But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a...
Pàgina 85 - I arrest you in the name of mercy, And dare compel your stay: Is then one look, One word, one moment, a last moment too, When I stand tottering on the brink of death, A cruel ignominious death, too much For one that loves like me ? A length of years You may devote to my blest rival's arms, I ask but one short moment.
Pàgina 96 - Christian, thou mistak'st my character. Look on me. Who am I ? I know, thou say'st The Moor, a slave, an abject, beaten slave (Eternal woes to him that made me so!): But look again. Has six years cruel bondage...