Have pluck'd my nipple from his boneless gums, Macb. If we should fail, Lady M. We fail! 6 But screw your courage to the sticking-place, Macb. Bring forth men-children only ! Lady M. Who dares receive it other, Macb. I am settled, and bend upa er destor of which he author, Fuccess, is Courage ardice can rder Dut led their Jin others ed him to re she wa Viensions which we her feel NS [5] Selden conjectures this to have been a usual ceremony among the Saxo before Hengist, as a note of health wishing, supposing the expression to corrupted from wish-heil. Wassel or Wassail is a word still in use in t mid and counties, and signifies at present what is called Lambs' Wool, i. roasted apples in strong beer, with sugar and spice. JOHNS. JOHN [6] To convince is, in Shakspeare, to overpower or subdue [7] A warder is a guard, a sentinel. STE. [8] i. e. the receptacle. MA [9] That is, shall be only a vessel, to emit fumes or vapours. JOHN [Quell is murder, manquellers being, in the old language the term f which murderers is now used. JOHNS. The word is used in Wicliff's translation of the New Testament, "a Herod sent forsh manquellers," &c. STEEV. [2] A metaphor from the bow. Till this intstant, the mind of Macbeth h been in a state of uncertainty and fluctuation. He has hitherto proved neith resolutely good, nor obstinately wicked. Though a bloody idea had aris in his mind, after he had heard the prophecy in his favour, yet he conte edly leaves the completion of his hopes to chance. At the conclusion, ho ever, of his interview with Duncan, he inclines to hasten the decree of fa Each corporal agent to this terrible feat. ACT II. [Exeunt, SCENE I-The same. Court within the Castle. Enter BAN quo and FLEANCE, and a Servant, with a torch before them. Banquo. HOW goes the night, boy? Fle. The moon is down; I have not heard the clock. Ban. And she goes down at twelve. Fle. I take't, 'tis later, sir. Ban. Hold, take my sword :-There's husbandry in heaven, 3 Their candles are all out. - Take thee that too. Enter MACBETH, and a Servant with a torch. Macb. A friend. Ban. What, sir, not yet at rest? The king's a-bed : He hath been in unusual pleasure, and and quits the stage with an apparent resolution to murder his sovereign. But no sooner is the king under his roof, than, reflectine on the peculiarities of his own relative situation, he determines not to offend against the laws of hospitality or the ties of subjection, kindred, and gratitude. His wife then assails his constancy afresh. He yields to her suggestions, and with his integrity his happiness is destroyed. I have enumerated these particulars, because the waverings of Macbeth have, by some critics been regarded as unnatural and contradictory circumstances in his character; not remembering that nemo repente fuit turpissimus, or that (as Angelo observes,) "when once our grace we have forgot, "Nothing goes right; we would, and we would not-" a passage which contains no unapt justification of the changes that happen in the conduct of Macbeth. STÉEVENS. [3] Husbandry here means thrift, frugality. MAL. [4] It is apparent from what Banquo says afterwards, that he had been solicited in a dream to att mpt something in consequence of the prophecy of the Witches, that his waking senses were shocked at; and Shakespeare has here most exquisitely contrasted his character with that of Macbeth. Banquo is praying against being tempted to encourage thoughts of guilt even in his sleep; while Macbeth is hurrying into temptation, and revolving in his mind every scheme, however flagitious, that may assist him to complete his purpose. The one is unwilling to sleep, lest the same phantoms should assail his resolution again, while the other is depriving himself of rest through impatience to commit the murder. STEEV. -" Ams ulamonu ne greets your wire withat, By the name of most kind hostess; and shut up Macb. Being unprepar'd, Our will became the servant to defect; Ban. All's well. I dreamt last night of the three weird sisters : Macb. I think not of them: Yet, when we can intreat an hour to serve, Would spend it in some words upon that business, Ban. At your kind'st leisure. Macb. If you shall cleave to my consent, when 'ti It shall make honour for you.6 Ban. So I lose none, In seeking to augment it, but still keep My bosom franchis'd, and allegiance clear, Macb. Good repose, the while ! Ban. Thanks, sir; The like to you! [Exit BANQU Macb. Go, bid thy mistress, when my drink is read She strike upon the bell. Get thee to-bed. [Exit Se -Is this a dagger, which I see before me, The handle toward my hand? Come, let me clutc thee: I have thee not, and yet I see thee still. Thou marshall'st me the way that I was going; hat happenia he had been eprophecy of kspeare has cbeth. Ban guilt er sin elving in his complete bis should assail rest through STEE [5] Offices are rooms appropriated to servants and culinary purposes. [6] Macbeth expresses his thought with affected obscurity; he does n mention the royalty, though he apparently had it in his mind. If you sh cleave to my consent, if you shall concur with me when I determine to acce the crown. when 'tis, when that happens which the prediction promises, shall make honour for you. JOHNS. That Banquo was apprehensive of a design upon the crown, is evident fre his reply, which affords Macbeth so little encouragement, that he drops subject. RITSON. Mine eyes are made the fools o'the other senses, Whose howl's his watch, thus with his stealthy pace, I go, and it is done; the bell invites me. [7] Dudgeon-the haft or handle of a dagger. [A Bell rings. STEEV. [8] Or drops, French. POPE-Gouts is the rechnical term for the spots on some part of the plumage of a hawk: or perhaps Shakspeare used the word in allusion to a phrase in heraldry. STEEV. [9] That is, over our hemisphere all action and motion seem to have ceased. This image, which is, perhaps, the most striking that poetry can produce, has been adopted by Dryden, in his Conquest of Mexico: All things are hush'd as Nature's self lay dead, These lines, though so well known. I have transcribed, that the contrast between them and this passage of Shakspeare may be more accurately observed. Night is described by two great poets, but one describes a night of quiet, the other of perturbation. In the night of Dryden, all the disturbers of the world are laid asleep; in that of Shakspeare, nothing but sorcery, lust, and murder, is awake. He that reads Dryden, finds himself lulled with serenity, and disposed to solitude and contemplation He that peruses Shakspeare, looks around alarmed, and starts to find himself alone. One is the night of a lover; the other of a murderer. JOHNS. [1] Probably Shakspeare wrote: The curtain'd sleeper. The folio spells the word sleepe. STEEV.--Mr. S's emendation is entitled to a place in the text. It is clearly Shakspeare's own word. RITSON. [2] Macbeth would have nothing break through the universal silence that added such a horror to the night, as suited well with the bloody deed he was about to perform. Mr. Burke, in his Essay on the Sublime and Beautiful, observes that "all general privations are great, because they are all terrible;" and, with other things, he gives silence as an instance, illustrating the whole by that remarkable passage in Virgil, where amidst all the images of terror that could be united, the circumstance of silence is particularly dwelt upon : "Dii quibus imperium est animarum, umbræque silentes, STEEV. That summons thee to heaven, or to hell. [Ex res; sed the right of arbers of Jel with Ses Shak es the Lady M. That which hath made them drunk, ha made me bold : What hath quench'd them, hath given me fire:-Har It was the owl that shriek'd, the fatal bellman, possets, 3 That death and nature do contend about them, what, ho! Macb. [Within.] Who's there? Enter MACСВЕТН. Macb. I have done the deed : - Didst thou not hes a noise ? Lady M. I heard the owl scream, and the crickets cr Did not you speak? Macb. When? Lady M. Now. Macb. As I descended? Lady M. Ay. Macb. Hark!- Who lies i'the second chamber? Macb. This is a sorry sight. [Looking on his hand Vio spella ce in the he w tiful.ob he whole of rerror [3] It appears from this passage, as well as from many others in our dramatic performances, that it was the custom to eat possets just before bo time. Mrs. Quickly promises Jack Rugby a posset at night. STEEV. [4] This is very artful. For, as the poet has drawn the lady and her h band, it would be thought the act should have been done by her. It is lil wise highly just; for though ambition had subdued in her all the sentimen of nature towards present objects, yet the likeness of one past, which s had been accustomed to regard with reverence, made her unnatural passior for a moment give way to the sentiments of instinct and humanity. WAR |