CONTENTS The Traveller; or, A Prospect of Society On a Beautiful Youth struck Blind with Lightning The Gift. To Iris, in Bow Street Stanzas on the Taking of Quebec Description of an Author's Bedchamber On seeing Mrs. *** perform in the Character of **** On the Death of the Right Hon.*** An Epigram. Addressed to the Gentlemen reflected on in The Rosciad, a Poem, by the Author Translation of a South American Ode The Double Transformation. A Tale A New Simile, in the Manner of Swift Elegy on the Death of a Mad Dog Song (When Lovely Woman,' &c.) Epilogue to The Good Natur'd Man . Threnodia Augustalis : Sacred to the Memory of Her Late Royal Highness the Princess Dowager of Wales Song ('Let School-masters,' &c.) Epilogue to She Stoops to Conquer 74 84 85 87 94 94 Epilogue written for She Stoops to Conquer (1). Epilogue written for She Stoops to Conquer (2) . Verses in Reply to an Invitation to Dinner On a Beautiful Youth struck Blind with Lightning Stanzas on the Taking of Quebec Description of an Author's Bedchamber On seeing Mrs. *** perform in the character of **** On the Death of the Right Hon. *** Translation of a South American Ode Elegy on the Death of a Mad Dog Song (from The Vicar of Wakefield) Epilogue (She Stoops to Conquer) Song intended for She Stoops to Conquer Epilogue for Lee Lewes's Benefit Epilogue (She Stoops to Conquer) (1) Epilogue (She Stoops to Conquer) (2) Verses in Reply to an Invitation to Dinner Descriptions of Newell's Views of Lissoy, &c. Fragments of Translations, &c., by Goldsmith . 259 262 264 266 268 270 LIST OF ILLUSTRATIONS To face p. P. 5 OLIVER GOLDSMITH. From Joseph Marchi’s mezzotint of 1770 after the portrait by Sir Joshua Reynolds Frontispiece. PANE OF Glass with Goldsmith's autograph signature, dated March, 1746, now at Trinity College, Dublin . xi VIGNETTE TO THE TRAVELLER. Drawn by Samuel Wale, and engraved by Charles Grignion To face p. 3 HEADPIECE TO THE TRAVELLER. Engraved on wood by Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell, 1795 . engraved on wood by Thomas Bewick for Bulmer's Poems To face p. 8 VIGNETTE TO THE DESERTED VILLAGE, 1770. Drawn and engraved by Isaac Taylor . . To face p. 21 HEADPIECE TO THE DESERTED VILLAGE. Engraved on wood by Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell, 1795 by John Bewick for Bulmer's Poems of Goldsmith and . To face p. 27 THE DEPARTURE. Drawn by Robert Johnson, and engraved on wood by Thomas Bewick for Bulmer's Poems of Gold- T'o face p. 35 EDWIN AND ANGELINA. From an original washed drawing made by Thomas Stothard, R.A., for Aikin's Goldsmith's To face p. 59 PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an etching by James Basire on the title-page of Retaliation, To face p. 87 SONG FROM THE CAPTIVITY. Facsimile of Goldsmith's writing and signature, from Prior's Life of Oliver Goldsmith, M.B., To face p. 119 GREEN ARBOUR COURT, OLD BAILEY. From an engraving in the European Magazine for January, 1893 To face p. 160 p. 23 . . KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith': Poetical Works, 1811) To face p. 179 HAWTHORN TREE. From the same To face p. 180 South VIEW FROM GOLDSMITH's Mount. From the same Toface p. 183 THE SCHOOL HOUSE. From the same . To face p. 187 PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of To face p. 259 PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Hum phry, R.A., in the National Portrait Gallery . To face p. 261 LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811) To face p. 262 THE PARSON AGE. From tbe same To face p. 264 |