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LIST OF ILLUSTRATIONS

To face p.

P. 5

OLIVER GOLDSMITH. From Joseph Marchi’s mezzotint of 1770

after the portrait by Sir Joshua Reynolds Frontispiece. PANE OF Glass with Goldsmith's autograph signature, dated March, 1746, now at Trinity College, Dublin .

xi VIGNETTE TO THE TRAVELLER. Drawn by Samuel Wale, and engraved by Charles Grignion

To face p. 3 HEADPIECE TO THE TRAVELLER. Engraved on wood by

Charlton Nesbit for Bulmer's Poems of Goldsmith and

Parnell, 1795 .
THE TRAVELLER. From a design by Richard Westall, R.A.,

engraved on wood by Thomas Bewick for Bulmer's Poems
of Goldsmith and Parnell, 1795

To face p. 8 VIGNETTE TO THE DESERTED VILLAGE, 1770. Drawn and engraved by Isaac Taylor .

. To face p. 21 HEADPIECE TO THE DESERTED VILLAGE. Engraved on wood by

Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell,

1795
THE WATER-CRESS GATHERER. Drawn and engraved on wood

by John Bewick for Bulmer's Poems of Goldsmith and
Parnell, 1795 .

. To face p.

27 THE DEPARTURE. Drawn by Robert Johnson, and engraved

on wood by Thomas Bewick for Bulmer's Poems of Gold-
smith and Parnell, 1795 .

T'o face p. 35 EDWIN AND ANGELINA. From an original washed drawing

made by Thomas Stothard, R.A., for Aikin's Goldsmith's
Poetical Works, 1805

To face p. 59 PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an

etching by James Basire on the title-page of Retaliation,
1774

To face p. 87 SONG FROM THE CAPTIVITY. Facsimile of Goldsmith's writing

and signature, from Prior's Life of Oliver Goldsmith, M.B.,
1837, ii, frontispiece

To face p. 119 GREEN ARBOUR COURT, OLD BAILEY. From an engraving in

the European Magazine for January, 1893 To face p. 160

p. 23

.

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KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith': Poetical Works, 1811)

To face p. 179 HAWTHORN TREE. From the same

To face p. 180 South VIEW FROM GOLDSMITH's Mount. From the same Toface p. 183 THE SCHOOL HOUSE. From the same .

To face p. 187 PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury

and etched by James Bretherton. From the Haunch of
Venison, 1776

To face p. 259 PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Hum

phry, R.A., in the National Portrait Gallery . To face p. 261 LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811)

To face p. 262 THE PARSON AGE. From tbe same

To face p. 264

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