On seeing Mrs. *** perform in the Character of **** On the Death of the Right Hon.*** An Epigram. Addressed to the Gentlemen reflected on in The Translation of a South American Ode The Double Transformation. A Tale LIST OF ILLUSTRATIONS OLIVER GOLDSMITH. From Joseph Marchi's mezzotint of 1770 after the portrait by Sir Joshua Reynolds Frontispiece. To face PANE OF GLASS with Goldsmith's autograph signature, dated To face p. 3 HEADPIECE TO THE TRAVELLER. Engraved on wood by . THE TRAVELLER. From a design by Richard Westall, R.A., graved by Isaac Taylor . p. 5 To face p. 8 To face p. 21 Drawn and en HEADPIECE TO the Deserted VILLAGE. Engraved on wood by Charlton Nesbit for Bulmer's Poems of Goldsmith and Parnell, 1795 THE WATER-CRESS GATHERER. Drawn and engraved on wood by John Bewick for Bulmer's Poems of Goldsmith and Parnell, 1795. . p. 23 To face p. 27 THE DEPARTURE. Drawn by Robert Johnson, and engraved on wood by Thomas Bewick for Bulmer's Poems of Goldsmith and Parnell, 1795. EDWIN AND ANGELINA. From an original washed drawing made by Thomas Stothard, R.A., for Aikin's Goldsmith's Poetical Works, 1805 To face p. 59 PORTRAIT OF GOLDSMITH, after Sir Joshua Reynolds. From an etching by James Basire on the title-page of Retaliation, 1774 . To face p. 87 SONG FROM THE CAPTIVITY. Facsimile of Goldsmith's writing and signature, from Prior's Life of Oliver Goldsmith, M.B., 1837, ii, frontispiece To face p. 119 GREEN ARBOur Court, Old BAILEY. From an engraving in the European Magazine for January, 1893 To face p. 160 KILKENNY WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811) HAWTHORN TREE. From the same To face p. 179 To face p. 180 SOUTH VIEW FROM GOLDSMITH'S MOUNT. From the same To face p. 183 THE SCHOOL HOUSE. From the same To face p. 187 PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of Venison, 1776 To face p. 259 Portrait of GOLDSMITH. From a silhouette by Ozias Humphry, R.A., in the National Portrait Gallery . To face p. 261 LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811) THE PARSON AGE. From the same To face p. 262 To face p. 264 |