Imatges de pàgina
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THE RAPE OF LUCRECE.

This brief abridgment of my will I make :
My soul and body to the skies and ground;
take;
you
My resolution, husband, do
Mine honour be the knife's, that makes my wound;
My shame be his that did my fame confound;
And all my fame that lives, disbursed be

To those that live, and think no shame of me.
Thou, Collatine, shalt oversee this will;
How was overseen that thou shalt see it!
My blood shall wash the slander of mine ill;
My life's foul deed, my life's fair end shall free it.
Faint not, faint heart, but stoutly say, so be it.

Yield to my hand; my hand shall conquer thee;
Thou dead, both die, and both shall victors be.
This plot of death when sadly she had laid,
And wip'd the brinish pearl from her bright eyes,
With untun'd tongue she hoarsely call'd her maid,
Whose swift obedience to her mistress hies;
For fleet-wing'd duty with thought's feathers flies.
Poor Lucrece' cheeks unto her maid seem so
As winter meads when sun doth melt their snow.
Her mistress she doth give demure good-morrow,
With soft-slow tongue, true mark of modesty,
And sorts a sad look to her lady's sorrow,
(For why? her face wore sorrow's livery ;)
But durst not ask of her audaciously

Why her two suns were cloud-eclipsed so,
Nor why her fair cheeks over-wash'd with woe.
But as the earth doth weep, the sun being set,
Each flower moisten'd like a melting eye;
Even 30 the maid with swelling drops 'gan wet
Her circled eyne, enforc'd by sympathy
Of those fair suns, set in her mistress' sky,

Who in a salt-wav'd ocean quench their light,
Which makes the maid weep like the dewy night.
A pretty while these pretty creatures stand,
Like ivory conduits coral cisterns filling:
One justly weeps; the other takes in hand
No cause, but company, of her drops spilling:
Their gentle sex to weep are often willing;

Grieving themselves to guess at others' smarts,
And then they drown their eyes, or break their hearts:
For men have marble, women waxen minds,
And therefore are they form'd as marble will;
The weak oppress'd, the impression of strange kinds
Is form'd in them by force, by fraud, or skill:
Then call them not the authors of their ill,

No more than wax shall be accounted evil,
Wherein is stamp'd the semblance of a devil.
Their smoothness, like a goodly champaign plain,
Lays open all the little worms that creep:
In men, as in a rough-grown grove, remain
Cave-keeping evils that obscurely sleep:
Through crystal walls each little mote will peep:
Though men can cover crimes with bold stern looks,
Poor women's faces are their own faults' books.
No man inveigh against the wither'd flower,
But chide rough winter that the flower hath kill'd!
Not that devour'd, but that which doth devour,
Is worthy blame. O let it not be hild
Poor women's faults, that they are so fulfill'd
With men's abuses: those prond lords, to blame,
Make weak-made women tenants to their shame.
The precedent whereof in Lucrece view,
Assail'd by night with circumstances strong
Of present death, and shame that might ensue
By that her death, to do her husband wrong:
Such danger to resistance did belong,

That dying fear through all her body spread;
And who cannot abuse a body dead?

By this, mild patience bid fair Lucrece speak
To the poor counterfeit of her complaining;
My girl, quoth she, on what occasion break
Those tears from thee, that down thy cheeks are raining?
If thou dost weep for grief of my sustaining,

Know, gentle wench, it small avails my mood:
If tears could help, mine own would do me good.
But tell me, girl, when went-(and there she stayed
Till after a deep groan) Tarquin from hence?
Madam, ere I was up, reply'd the maid,
The more to blame my sluggard negligence:
Yet with the fault I thus far can dispense;
Myself was stirring ere the break of day,
And, ere I rose, was Tarquin gone away.
But lady, if your maid may be so bold,
She would request to know your heaviness.
O peace! quoth Lucrece; if it should be told,
The repetition cannot make it less;
For more it is than I can well express :

And that deep torture may be call'd a hell,
Where more is felt than one hath power to tell.
Go, get me hither paper, ink, and pen--
Yet save that labour, for I have them here.
What should I say?-One of my husband's men,
Bid thou be ready, by and by, to bear

A letter to my lord, my love, my dear,
to carry it:
Bid him with speed prepare

The cause craves haste, and it will soon be writ.
Her maid is gone, and she prepares to write,
First hovering o'er the paper with her quill:
Conceit and grief an eager combat fight;
What wit sets down, is blotted straight with will;
This is too curious-good, this blunt and ill;
Much like a press of people at a door,
go before.
Throng her inventions, which shall
Thou worthy lord
At last she thus begins:
Of that unworthy wife that greeteth thee,
Health to thy person! next vouchsafe to afford
(If ever, love, thy Lucrece thou wilt see,)
Some present speed to come and visit me :

"

So I commend me from our house in grief;
My woes are tedious, though my words are brief."
Here folds she up the tenour of her woe,
Her certain sorrow writ uncertainly.
By this short schedule Collatine may know
Her grief, but not her grief's true quality;
She dares not thereof make discovery,

Lest he should hold it her own gross abuse,
Ere she with blood hath stain'd her stain'd excuse.
Besides, the life and feeling of her passion
She hoards, to spend when he is by to hear her;
When sighs and groans and tears may grace the fashion
Of her disgrace, the better so to clear her
From that suspicion which the world might bear her.
To shun this blot, she would not blot the letter
With words, till action might become them better.
To see sad sights moves more than hear them told;
For then the eye interprets to the ear
The heavy motion that it doth behold,
When every part a part of woe doth bear.
'Tis but a part of sorrow that we hear :

Deep sounds make lesser noise than shallow fords,
And sorrow ebbs, being blown with wind of words.
Her letter now is seal'd, and on it writ,
At Ardea to my lord with more than haste:
The post attends, and she delivers it,
Charging the sour-fac'd groom to hie as fast
As lagging fowls before the northern blast.

Speed more than speed, but dull and slow she deems:
Extremity still urgeth such extremes.
3 L2

The homely villein curt'sies to her low;
And blushing on her, with a stedfast eye
Receives the scroll, without or yea or no,
And forth with bashful innocence doth hie.
But they whose guilt within their bosoms lie,
Imagine every eye beholds their blame;
For Lucrece thought he blush'd te see her shame.
When, silly groom! God wot, it was defect
Of spirit, life, and bold audacity.

Such harmless creatures have a due respect
To talk in deeds, while others saucily
Promise more speed, but do it leisurely :

Even so, this pattern of the worn-out age Pawn'd honest looks, but laid no words to gage. His kindled duty kindled her mistrust,

That two red fires in both their faces blazed;
She thought he blush'd, as knowing Tarquin's lust,
And, blushing with him, wistly on him gazed;
Her earnest eye did make him more amazed:

The more she saw the blood his cheeks replenish,
The more she thought he spy'd in her some blemish.
But long she thinks till he return again,
And yet the duteous vassal scarce is gone.
The weary time she cannot entertain,
For now 'tis stale to sigh, to weep, and groan:
So woe hath wearied woe, moan tired moan,

That she her paints a little while doth stay, Pausing for means to mourn some newer way. At last she calls to mind where hangs a piece Of skilful painting, made for Priam's Troy; Before the which is drawn the power of Greece, For Helen's rape the city to destroy, Threatening cloud-kissing Ilion with annoy;

Which the conceited painter drew so proud,
As heaven (it seem'd) to kiss the turrets bow'd.
A thousand lamentable objects there,
In scorn of Nature, Art gave lifeless life:
Many a dry drop seem'd a weeping tear,
Shed for the slaughter'd husband by the wife :
The red blood reek'd to shew the painter's strife;
And dying eyes gleam'd forth their ashy lights,
Like dying coals burnt out in tedious nights.
There might you see the labouring pioneer
Begrim'd with sweat, and smeared all with dust;
And from the towers of Troy there would appear
The very eyes of men through loop-holes thrust,
Gazing upon the Greeks with little lust:

Such sweet observance in this work was had,
That one might see those far-off eyes look sad.

In great commanders grace and majesty
You might behold, triúmphing in their faces;
In youth, quick bearing and dexterity;
And here and there the painter interlaces
Pale cowards, marching on with trembling paces;
Which heartless peasants did so well resemble, [ble.
That one would swear he saw them quake and trem-
In Ajax and Ulysses, what art
Of physiognomy might one behold!
The face of either 'cipher'd either's heart;
Their face their manners most expressly told:
In Ajax' eyes blunt rage and rigour roll'd;

But the mild glance that sly Ulysses lent,
Shew'd deep regard and smiling government.
There pleading might you see grave Nestor stand,
As 'twere encouraging the Greeks to fight;
Making such sober action with his hand,
That it beguil'd attention, charm'd the sight:
In speech, it seem'd, his beard, all silver white,
Wagg'd up and down, and from his lips did fly
Thin winding breath, which purl'd up to the sky.

About him were a press of gaping faces,
Which seem'd to swallow up his sound advice;
All jointly listening, but with several graces,
As if some mermaid did their ears entice;
Some high, some low, the painter was so nice;
The scalps of many, almost hid behind,

To jump up higher seem'd, to mock the mind.
Here one man's hand lean'd on another's head,
His nose being shadow'd by his neighbour's ear;
Here one being throng'd bears back, all blown and
Another, smother'd, seems to pelt and swear; [red;
And in their rage such signs of rage they bear,
As, but for loss of Nestor's golden words,
It seem'd they would debate with angry swords.
For much imaginary work was there;
Conceit deceitful, so compact, so kind,
That for Achilles' image stood his spear,
Grip'd in an armed hand; himself, behind,
Was left unseen, save to the eye of mind:
A hand, a foot, a face, a leg, a head,
Stood for the whole to be imagined.
And from the walls of strong-besieged Troy,
When their brave hope, bold Hector, march'd to fell,
Stood many Trojan mothers, sharing joy
To see their youthful sons bright weapons wield;
And to their hope they such odd action yield,

That, through their light joy, seemed to appear (Like bright things stain'd) a kind of heavy fear. And, from the strond of Dardan where they fought, To Simois' reedy banks the red blood ran, Whose waves to imitate the battle sought With swelling ridges; and their ranks began To break upon the galled shore, and then

Retire again, till meeting greater ranks They join, and shoot their foam at Simois' banks To this well-painted piece is Lucrece come, To find a face where all distress is stèl'd. Many she sees, where cares have carved some, But none where all distress and dolour dwell'd, Till she despairing Hecuba beheld,

Staring on Priam's wounds with her old eyes, Which bleeding under Pyrrhus' proud foot lies. In her the painter had anatomiz'd

Time's ruin, beauty's wreck, and grim care's reign;
Her cheeks with chaps and wrinkles were disguis'd;
Of what she was, no semblance did remain :
Her blue blood chang'd to black in every vein,
Wanting the spring that those shrunk pipes had fed,
Shew'd life imprison'd in a body dead.
On this sad shadow Lucrece spends her eyes,
And shapes her sorrow to the beldame's woes,
Who nothing wants to answer her but cries,
And bitter words to ban her cruel foes:
The painter was no God to lend her those;

And therefore Lucrece swears he did her wrong,
To give her so much grief, and not a tongue.
Poor instrument, quoth she, without a sound,
I'll tune thy woes with my lamenting tongue:
And drop sweet balm in Priam's painted wound,
And rail on Pyrrhus that hath done him wrong,
And with my tears quench Troy that burns so long,
And with my knife scratch out the angry eyes
Of all the Greeks that are thine enemies.
Shew me the strumpet that began this stir,
That with my nails her beauty I may tear.
Thy heat of lust, fond Paris, did incur
This load of wrath that burning Troy doth bear;
Thy eye kindled the fire that burneth here.

And here in Troy, for trespass of thine eye,
The sire, the son, the dame, and daughter, die.

Why should the private pleasure of some one
Become the public plague of many moe?
Let sin, alone committed, light alone
Upon his head that hath transgressed so.
Let guiltless souls be freed from guilty woe:
For one's offence why should so many fall,
To plague a private sin in general?
Lo here weeps Hecuba, here Priam dies,
Here manly Hector faints, here Troilus swounds;
Here friend by friend in bloody channel lies,
And friend to friend gives unadvised wounds,
And one man's lust these many lives confounds :
Had doting Priam check'd his son's desire,
Troy had been bright with fame, and not with fire.
Here feelingly she weeps Troy's painted woes:
For sorrow, like a heavy-hanging bell,

Once set on ringing, with his own weight goes;
Then little strength rings out the doleful knell :
So Lucrece set a-work, sad tales doth tell

To pencill'd pensiveness and colour'd sorrow; [row.
She lends them words, and she their looks doth bor-
She throws her eyes about the painting, round,
And whom she finds forlorn, she doth lament:
At last she sees a wretched image bound,
That piteous looks to Phrygian shepherds lent;
His face, though full of cares, yet shew'd content :
Onward to Troy with the blunt swains he goes,
So mild, that Patience seem'd to scorn his woes.
In him the painter labour'd with his skill
To hide deceit, and give the harmless show
An humble gait, calm looks, eyes wailing still,
A brow unbent, that seem'd to welcome woe;
Cheeks, neither red nor pale, but mingled so

That blushing red no guilty instance gave,
Nor ashy pale the fear that false hearts have.
But, like a constant and confirmed devil,
He entertain'd a show so seeming just,
And therein so ensconc'd his secret evil,
That jealousy itself could not mistrust
False-creeping craft and perjury should thrust

Into so bright a day such black-fac'd storms,
Or blot with hell-born sin such saint-like forms.
The well-skill'd workman this mild image drew
For perjur'd Sinon, whose enchanting story
The credulous old Priam after slew;
Whose words, like wild-fire, burnt the shining glory
Of rich-built Ilion, that the skies were sorry,

And little stars shot from their fixed places, [faces.
When their glass fell wherein they view'd their
This picture she advisedly perus'd,
And chid the painter for his wondrous skill;
Saying, some shape in Sinon's was abus'd,
So fair a form lodg'd not a mind so ill;
And still on him she gaz'd, and gazing still,
Such signs of truth in his plain face she spy'd
That she concludes the picture was bely'd.
It cannot be, quoth she, that so much guile
(She would have said) can lurk in such a look;
But Tarquin's shape came in her mind the while,
And from her tongue, can lurk from cannot took;
It cannot be she in that sense forsook,

And turn'd it thus: "It cannot be, I find,
But such a face should bear a wicked mind:

For even as subtle Sinon here is painted,
So sober-sad, so weary, and so mild,
(As if with grief or travail he had fainted)
To me came Tarquin armed; so beguil'd
With outward honesty, but yet defil'd

With inward vice: as Priam him did cherish,
So did I Tarquin; so my Troy did perish.

Look, look, how listening Priam wets his eyes,
To see those borrow'd tears that Sinon sheds.
Priam, why art thou old, and yet not wise?
For every tear he falls, a Trojan bleeds;
His eye drops fire, no water thence proceeds:
Those round clear pearls of his that move thy pity
Are balls of quenchless fire to burn thy city.
Such devils steal effects from lightless hell;
For Sinon in his fire doth quake with cold,
And in that cold, hot-burning fire doth dwell;
These contraries such unity do hold,

Only to flatter fools, and make them bold:

So Priam's trust false Sinon's tear doth flatter, That he finds means to burn his Troy with water." Here, all enrag'd, such passion her assails, That patience is quite beaten from her breast. She tears the senseless Sinon with her nails, Comparing him to that unhappy guest Whose deed hath made herself herself detest: At last she smilingly with this gives o'er; Fool! fool! quoth she, his wounds will not be sore. Thus ebbs and flows the current of her sorrow, And time doth weary time with her complaining. She looks for night, and then she longs for morrow, And both she thinks too long with her remaining: Short time seems long in sorrow's sharp sustaining. Though woe be heavy, yet it seldom sleeps ;

And they that watch, see time how slow it creeps. Which all this time hath overslipp'd her thought, That she with painted images hath spent ; Being from the feeling of her own grief brought By deep surmise of others' detriment; Losing her woes in shows of discontent.

It easeth some, though none it ever cured, To think their dolour others have endur'd. But now the mindful messenger, come back, Brings home his lord and other company; Who finds his Lucrece clad in mourning black; And round about her tear-distained eye Blue circles stream'd, like rainbows in the sky. These water-galls in her dim element Foretell new storms to those already spent. Which when her sad-beholding husband saw, Amazedly in her sad face he stares : Her eyes, though sod in tears, look'd red and raw, Her lively colour kill'd with deadly cares. He hath no power to ask her how she fares,

But stood, like old acquaintance in a trance, Met far from home, wondering each other's chance. At last he takes her by the bloodless hand, And thus begins: What uncouth ill event Hath thee befallen, that thou dost trembling stand? Sweet love, what spite hath thy fair colour spent? Why art thou thus attir'd in discontent?

Unmask, dear dear, this moody heaviness, And tell thy grief, that we may give redress. Three times with sighs she gives her sorrows fire, Ere once she can discharge one word of woe : At length address'd to answer his desire, She modestly prepares to let them know Her honour is ta'en prisoner by the foe; While Collatine and his consorted lords With sad attention long to hear her words. And now this pale swan in her watery nest Begins the sad dirge of her certain ending: Few words, quoth she, shall fit the trespass best, Where no excuse can give the fault amending: In me more woes than words are now depending; And my laments would be drawn out too long, To tell them all with one poor tired tongue.

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Then be this all the task it hath to say :-
Dear husband, in the interest of thy bed
A stranger came, and on that pillow lay
Where thou wast wont to rest thy weary head;
And what wrong else may be imagined

By foul enforcement might be done to me,
From that, alas! thy Lucrece is not free.
For in the dreadful dead of dark midnight,
With shining falchion in my chamber came
A creeping creature, with a flaming light,
And softly cry'd, Awake, thou Roman dame,
And entertain my love; else lasting shame

On thee and thine this night I will inflict,
If thou my love's desire do contradict.
For some hard-favour'd groom of thine, quoth he,
Unless thou yoke thy liking to my will,
I'll murder straight, and then I'll slaughter thee,
And swear I found you where you did fulfil
The loathsome act of lust, and so did kill

The lechers in their deed: this act will be
My fame, and thy perpetual infamy.
With this I did begin to start and cry,
And then against my heart he set his sword,
Swearing, unless I took all patiently,
I should not live to speak another word:
So should my shame still rest upon record,
And never be forgot in mighty Rome

The adulterate death of Lucrece and her groom.
Mine enemy was strong, my poor self weak,
And far the weaker with so strong a fear;
My bloody judge forbade my tongue to speak;
No rightful plea might plead for justice there:
ilis scarlet lust came evidence to swear

That my poor beauty had purloin'd his eyes,
And when the judge is robb'd, the prisoner dies.
O teach me how to make mine own excuse!
Or, at the least, this refuge let me find;
Though my gross blood be stain'd with this abuse,
Immaculate and spotless is my mind;
That was not forc'd; that never was inclin'd
To accessary yieldings, but still pure
Doth in her poison'd closet yet endure.
Lo here, the hopeless merchant of this loss,
With head declin'd, and voice damm'd up with woe,
With sad-set eyes, and wretched arms across,
From lips new-waxen pale begins to blow
The grief away, that stops his answer so:

But wretched as he is, he strives in vain ;
What he breathes out his breath drinks up again.
As through an arch the violent roaring tide
Out-runs the eye that doth behold his haste;
Yet in the eddy boundeth in his pride
Back to the strait that forc'd him on so fast;
In rage sent out, recall'd in rage, being past :
Even so he sighs, his sorrows, make a saw,
To push grief on, and back the same grief draw.
Which speechless woe of his, poor she attendeth,
And his untimely frenzy thus awaketh :
Dear lord, thy sorrow to my sorrow lendeth
Another power; no flood by raining slaketh.
My woe too sensible thy passion maketh

More feeling-painful: let it then suffice
To drown one woe, one pair of weeping eyes.
And for my sake, when I might charm thee so,
For she that was thy Lucrece,-now attend me;
Be suddenly revenged on my foe,

Thine, mine, his own; suppose thou dost defend me
From what is past: the help that thou shalt lend me
Comes all too late, yet let the traitor die;
For sparing justice feeds iniquity.

|But ere 1 name him, you fair lords, quoth she,
(Speaking to those that came with Collatine)
Shall plight your honourable faiths to me,
With swift pursuit to venge this wrong of mine;
For 'tis a meritorious fair design,

To chase injustice with revengeful arins: [harms.
Knights, by their oaths, should right poor ladies'
At this request, with noble disposition
Each present lord began to promise aid,
As bound in knighthood to her imposition,
Longing to hear the hateful foe bewray'd.
But she, that yet her sad task hath not said,
The protestation stops. O speak, quoth she,
How may this forced stain be wiped from me.
What is the quality of mine offence,
Being constrain'd with dreadful circumstance?
May my pure mind with the foul act dispense,
My low-declined honour to advance ?
May any terms acquit me from this chance?

The poison'd fountain clears itself again;
And why not I from this compelled stain?
With this, they all at once began to say,
Her body's stain her mind untainted clears;
While with a joyless smile she turns away
The face, that map which deep impression bears
Of hard misfortune carv'd in it with tears.

No, no, quoth she, no dame, hereafter living,
By my excuse shall claim excuses giving.
Here with a sigh, as if her heart would break,
She throw's forth Tarquin's name; He, he, she says,
But more than he her poor tongue could not speak,
Till after many accents and delays,
Untimely breathings, sick and short assays,

She utters this: He, he, fair lords, 'tis he,
That guides this hand to give this wound to me.
Even here she sheathed in her harmless breast
A harmful knife, that thence her soul unsheathed;
That blow did bail it from the deep unrest
Of that polluted prison where it breathed:
Her contrite sighs unto the clouds bequeathed
Her winged sprite, and through her wounds doth fly
Life's lasting date from cancell'd destiny.
Stone-still, astonish'd with this deadly deed,
Till Lucrece' father that beholds her bleed,
Stood Collatine and all his lordly crew;
Himself on her self-slaughter'd body threw;
And from the purple fountain Brutus drew

The murderous knife, and as it left the place
And bubbling from her breast, it doth divide
Her blood, in poor revenge, held it in chase;
In two slow rivers, that the crimson blood
Circles her body in on every side,

Who like a late-sack'd island vastly stood
Bare and unpeopled, in this fearful flood.

Some of her blood still pure and red remain'd,
And some look'd black, and that false Tarquin
stain'd.

About the mourning and congealed face
Of that black blood, a watery rigol goes,
Which seems to weep upon the tainted place:
And ever since as pitying Lucrece' woes,
Corrupted blood some watery token shows;
And blood untainted still doth red abide,
Blushing at that which is so putrify'd.
Daughter, dear daughter, old Lucretius cries,
That life was nine, which thou hast here depriv'd.
If in the child the father's image lies,
Where shall I live, now Lucrece is unliv'd?
Thou wast not to this end from me deriv'd.
If children pre-decease progenitors,
We are their offspring, and they none of ours

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