 We were struck with the fact, that in all the mass of material of which the record is composed, there is hardly one authentic document. Nothing but a mass of typewriting, except the later notebooks of Mina and Seward and myself, and Van Helsing's memorandum.  The Vampire Lectures - Pàgina 63per Laurence A. Rickels - 1999Previsualització limitada - Sobre aquest llibre
 | Bram Stoker - 1897 - 410 pàgines
...happily married. I took the papers from the safe where they had been ever since our return so long ago. We were struck with the fact, that in all the mass...is composed, there is hardly one authentic document ; nothing but a mass of type-writing, except the later note-books of Mina and Seward and myself, and... | |
 | Elisabeth Bronfen - 1992 - 484 pàgines
...record is composed, there is hardly one authentic document! nothing but a mass of type-writing . . . We could hardly ask anyone ... to accept these as proofs of so wild a story' (378). Though these documents are meant to afford stability, the sema can not transparently reproduce... | |
 | Donald Bruce, Anthony George Purdy - 1994 - 194 pàgines
...the effects of which are not lost on those involved, as Jonathan's final remarks clearly demonstrate: "We were struck with the fact, that in all the mass...composed, there is hardly one authentic document; nothing but a mass of type-writing..." 49 Definitions of authenticity and writing practices have changed... | |
 | Seamus Deane - 1999 - 288 pàgines
...blotted out ... I took the papers from the safe where they had been ever since our retum so long ago. We were struck with the fact, that in all the mass...composed, there is hardly one authentic document, nothing but a mass of typewriting, except the later note-books of Mina and Seward and myself, and Van... | |
 | Sarah Kember - 1998 - 168 pàgines
...transgression, told 'in the midst of our scientific, sceptical, matter-of-fact nineteenth century': We were struck with the fact that, in all the mass...composed, there is hardly one authentic document; nothing but a mass of type-writing ... We could hardly ask anyone, even did we wish to, to accept these... | |
 | Annette Keck, Inka Kording, Anja Prochaska - 1999 - 362 pàgines
...Safe öffnet, in dem die Unterlagen aufbewahrt sind, staunt dieser darüber, "that, in all the masses of material of which the record is composed, there is hardly one authentic document: nothing but a mass of typewriting" (378). Die Korruption dieser Dokumente ließe sich mit dem Panschen... | |
 | Erica Sheen, Robert Giddings - 2000 - 258 pàgines
...transcriptions of phonograph recordings. As the character Jonathan Harker notes at the end of the novel, 'in all the mass of material of which the record is...composed, there is hardly one authentic document; nothing but a mass of typewriting'.10 In the Gothic, readers (and the protagonists) are presented with... | |
 | Ken Gelder - 2000 - 444 pàgines
...going back to Dracula and his three brides; and 'we were struck with the fact that, in all the masses of material of which the record is composed, there is hardly one authentic document: nothing but a mass of typewriting' (ibid., 400). The only proof of the ravages of Dracula is the existence... | |
 | Deirdre David - 2001 - 292 pàgines
...by Dracula: "I took the papers from the safe where they had been ever since our return so long ago. We were struck with the fact, that in all the mass...of material of which the record is composed, there was hardly one authentic document; nothing but a mass of type-writing" (Dracula, 382). The heroes of... | |
 | Laura Otis - 2001 - 288 pàgines
...solitude greatly increased sexual danger" (215). 23. In a final note. Stoker's fictitious editor states that "in all the mass of material of which the record...composed, there is hardly one authentic document" (326). Regenia Gagnier believes that this lack of authenticity refers to the absence of Dracula's own... | |
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