Imatges de pàgina
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her Fashionable Tales, and possesses more of ardour and pathos. The gradations of vice and folly, and the unhappiness attending falsehood and artifice, are strikingly depicted in this novel, in connection with characters-that of Lady Davenant, for example-drawn with great force, truth, and nature. In 1847 Miss Edgeworth wrote a tale called Orlandino for Chambers's Library for Young People. She died May 21, 1849, being then in her eighty-third year.

The good and evil of this world supplied Miss Edgeworth with materials sufficient for her purposes as a novelist. Of poetical or romantic feeling she exhibited scarcely a single instance. She was a strict utilitarian. Her knowledge of the world was extensive and correct, though in some of her representations of fashionable folly and dissipation she borders upon caricature. The plan of confining a tale to the exposure and correction of one particular vice, or one erroneous line of conduct, as Joanna Baillie confined her dramas each to the elucidation of one particular passion, would have been a hazardous experiment in common hands. Miss Edgeworth overcame it by the ease, spirit, and variety of her delineations, and the truly masculine freedom with which she exposes the crimes and follies of mankind. Her sentiments are so just and true, and her style so clear and forcible, that they compel an instant assent to her moral views and deductions, though sometimes, in winding up her tale, and distributing justice among her characters, she is not always very consistent or probable. Her delineations of her countrymen have obtained just praise. The highest compliment paid to them is the statement of Scott, that 'the rich humour, pathetic tenderness, and admirable tact' of these Irish portraits led him first to think that something might be attempted for his own country of the same kind with that which Miss Edgeworth so fortunately achieved for Ireland. He excelled his model, because, with equal knowledge and practical sagacity, he possessed that higher order of imagination, and more extensive sympathy with man and nature, which is more powerful, even for moral uses and effects, than the most clear and irresistible reasoning. The object of Miss Edgeworth, to inculcate instruction, and the style of the preceptress, occasionally interfere with the cordial sympathies of the reader, even in her Irish descriptions; whereas in Scott this is never apparent. He deals more with passions and feelings than with mere manners and peculiarities, and by the aid of his poetical imagination, and careless yet happy eloquence of expression, imparts the air of romance to ordinary incidents and characters. It must be admitted, however, that in originality and in fertility of invention, Miss Edgeworth is inferior to none of her contemporary novelists. She never repeats her incidents, her characters, dialogues, or plots, and few novelists have written more. Her brief and rapid tales fill above twenty closely printed volumes, and may be read one after the other without any feeling of satiety or sense of repetition.

An Irish Landlord and Scotch Agent.

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irritated by his cold silence, that I could not forbear pressing him to say something. "I doubt, then," said he, "since you desire me to speak my mind, my lordI doubt whether the best way of encouraging the industrious is to give premiums to the idle." But, idle or not, these poor wretches are so miserable, that I cannot refuse to give them something; and surely, when one can do it so easily, it is right to relieve misery, is it not? Undoubtedly, my lord, but the difficulty is to relieve present misery, without creating more in future. Pity for one class of beings sometimes makes us cruel to others. I am told that there are some Indian Brahmins so very compassionate, that they hire beggars to let fleas feed upon them; I doubt whether it might not be better to let the fleas starve."

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'I did not in the least understand what Mr M'Leod meant; but I was soon made to comprehend it by crowds

of eloquent beggars who soon surrounded me; many who had been resolutely struggling with their difficulties, slackened their exertions, and left their labour for the easier trade of imposing upon my credulity. The money I had bestowed was wasted at the dram-shop, or it became the subject of family quarrels ; and those whom I had relieved, returned to my honour with fresh and insatiable expectations. All this time my industrious tenants grumbled, because no encouragement was given to them; and looking upon me as a weak, good-natured fool, they combined in a resolution to ask me for long leases or a reduction of rent.

'The rhetoric of my tenants succeeded, in some instances; and again, I was mortified by Mr M'Leod's and was obeyed. A few leases for long terms were silence. I was too proud to ask his opinion. I ordered, signed and sealed; and when I had thus my own way completely, I could not refrain from recurring to Mr M'Leod's opinion. "I doubt, my lord," said he, "whether this measure may be as advantageous as you hope. These fellows, these middle-men, will underset the land, and live in idleness, whilst they rack a parcel of wretched under-tenants." But they said they would keep the land in their own hands and improve it; and that the reason why they could not afford to improve before was, that they had not long leases. "It may be tenants; for in the next county to us there are many doubted whether long leases alone will make improving farms of the Dowager-lady Ormsby's land, let at ten shillings an acre, and her tenantry are beggars: and the land now at the end of the leases is worn out, and worse than at their commencement."

'I was weary of listening to this cold reasoning, and resolved to apply no more for explanations to Mr M'Leod; yet I did not long keep this resolution: infirm of purpose, I wanted the support of his approbation, at the very time I was jealous of his interference.

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'At one time I had a mind to raise the wages of labour; but Mr M'Leod said "It might be doubted whether the people would not work less, when they could, with less work have money enough to support

them."

'I was puzzled, and then I had a mind to lower the wages of labour, to force them to work or starve. Still provoking, Mr M'Leod said: "It might be doubted whether it would not be better to leave them alone."

'I gave marriage-portions to the daughters of my tenants, and rewards to those who had children; for I had always heard that legislators should encourage population. Still Mr M'Leod hesitated to approve: he observed "that my estate was so populous, that the complaint in each family was, that they had not land for

the sons. It might be doubted whether, if a farm could support but ten people, it were wise to encourage the birth of twenty. It might be doubted whether it were not better for ten to live, and be well fed, than for twenty to be born, and to be half-starved."

'To encourage manufactures in my town of Glenthorn, I proposed putting a clause in my leases, compelling my tenants to buy stuffs and linens manufactured at

Glenthorn, and nowhere else. Stubborn M'Leod, as usual, began with: "I doubt whether that will not encourage the manufacturers at Glenthorn to make bad stuffs and bad linen, since they are sure of a sale, and without danger of competition.'

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'At all events I thought my tenants would grow rich and independent if they made everything at home that they wanted; yet Mr M'Leod perplexed me by his "doubt whether it would not be better for a man to buy shoes, if he could buy them cheaper than he could make them." He added something about the division of labour and Smith's Wealth of Nations. To which I could only answer, Smith's a Scotchman. I cannot express how much I dreaded Mr M'Leod's I doubt and it may be doubted.

An Irish Postillion.

The horses were

From the inn-yard came a hackney chaise, in a most deplorably crazy state; the body mounted up to a prodigious height, on unbending springs, nodding forward, one door swinging open, three blinds up, because they could not be let down, the perch tied in two places, the iron of the wheels half off, half loose, wooden pegs for linch-pins, and ropes for harness. worthy of the harness; wretched little dog-tired creatures, that looked as if they had been driven to the last gasp, and as if they had never been rubbed down in their lives; their bones starting through their skin; one lame, the other blind; one with a raw back, the other with a galled breast; one with his neck poking down over his collar, and the other with his head dragged forward by a bit of a broken bridle, held at arm's-length by a man dressed like a mad beggar, in half a hat and half a wig, both awry in opposite directions; a long tattered coat, tied round his waist by a hay-rope; the jagged rents in the skirts of this coat shewing his bare legs, marbled of many colours; while something like stockings hung loose about his ankles. The noises he made, by way of threatening or encouraging his steeds, I pretend not to describe. In an indignant voice I called to the landlord: 'I hope these are not the horses-I hope this is not the chaise intended for my servants.' The innkeeper, and the pauper who was preparing to officiate as postillion, both in the same instant exclaimed: Sorrow better chaise in the county!' 'Sorrow!' said I-' what do you mean by sorrow?' 'That there's no better, plase your honour, can be seen. We have two more, to be sure; but one has no top, and the other no bottom. Any way, there's no better can be seen than this same." 'And these horses!' cried I: 'why, this horse is so lame he can hardly stand.' 'Oh, plase your honour, though he can't stand, he'll go fast enough. He has a great deal of the rogue in him, plase your honour. He's always that way at first setting out. And that wretched animal with the galled breast! He's all the better for it when once he warms; it's he that will go with the speed of light, plase your honour. Sure, is not he Knockecroghery? and didn't I give fifteen guineas for him, barring the luckpenny, at the fair of Knockecroghery, and he rising four year old at the same time?'

Then seizing his whip and reins in one hand, he clawed up his stockings with the other; so with one easy step he got into his place, and seated himself, coachman-like, upon a well-worn bar of wood, that served as a coach-box. 'Throw me the loan of a trusty, Bartly, for a cushion,' said he. A frieze-coat was thrown up over the horses' heads. Paddy caught it. 'Where are you, Hosey?' cried he to a lad in charge of the leaders. 'Sure I'm only rowling a wisp of straw on my leg,' replied Hosey. "Throw me up,' added this paragon of postillions, turning to one of the crowd of idle by-standers. Arrah, push me up, can't ye?' A man took hold of his knee, and threw him upon the horse. He was in his seat in a trice. Then clinging

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by the mane of his horse, he scrambled for the bridle, which was under the other horse's feet, reached it, and, well satisfied with himself, looked round at Paddy, who looked back to the chaise-door at my angry servants, 'secure in the last event of things.' In vain the Englishman, in monotonous anger, and the Frenchman in every note of the gamut, abused Paddy. Necessity and wit were on Paddy's side. He parried all that was said against his chaise, his horses, himself, and his country with invincible comic dexterity; till at last, both his adversaries, dumfounded, clambered into the vehicle, where they were instantly shut up in straw and darkness. Paddy, in a triumphant tone, called to my postillions, bidding them 'get on, and not be stopping the way any longer.'

One of the horses becomes restive:

'Never fear,' reiterated Paddy. 'I'll engage I'll be up wid him. Now for it, Knockecroghery! O the rogue, he thinks he has me at a nonplush; but I'll shew him the differ!

After this brag of war, Paddy whipped, Knockecroghery kicked, and Paddy, seemingly unconscious of danger, sat within reach of the kicking horse, twitching up first one of his legs, then the other, and shifting as the animal aimed his hoofs, escaping every time as it were by miracle. With a mixture of temerity and presence of mind, which made us alternately look upon him as a madman and a hero, he gloried in the danger, secure of success, and of the sympathy of the spectators.

'Ah! didn't I compass him cleverly then? O the villain, to be browbating me! I'm too 'cute for him yet. See there, now; he's come to; and I'll be his bail he'll go asy enough wid me. Ogh! he has a fine spirit of his own; but it's I that can match him. "Twould be a poor case if a man like me couldn't match a horse any way, let alone a mare, which this is, or it never would be so vicious.'

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English Shyness, or Mauvaise Honte. Lord William had excellent abilities, knowledge, and superior qualities of every sort, all depressed by excessive timidity, to such a degree as to be almost useless to himself and to others. Whenever he was, either for the business or pleasure of life, to meet or mix with numbers, the whole man was, as it were, snatched from himself. He was subject to that nightmare of the soul who seats himself upon the human breast, oppresses the heart, palsies the will, and raises spectres of dismay which the sufferer combats in vain-that cruel enchantress

who hurls her spell even upon childhood, and when she makes youth her victim, pronounces : Henceforward you shall never appear in your natural character. Innocent, you shall look guilty; wise, you shall look silly; never shall you have the use of your natural faculties. That which you wish to say, you shall not say; that which you wish to do, you shall not do. You shall appear reserved when you are enthusiastic-insensible, when your heart sinks into melting tenderness. In the presence of those whom you most wish to please, you shall be most awkward; and when approached by her you love, you shall become lifeless as a statue, and under the irresistible spell of 'mauvaise honte.' Strange that France should give name to that malady of mind which she never knew, or of which she knows less than any other nation upon the surface of the civilised globe!

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did not live to witness the fruits of his daughter's
talents. After the death of the rector, his widow
and two daughters retired to Southampton, and
subsequently to the village of Chawton, in the
same county, where the novels of Jane Austen were
written. Of these, four were published anony-ful truth, as well as of vivacity and humour, is her
mously in her lifetime, the first in 1811, and the
last in 1816-namely, Sense and Sensibility, Pride
and Prejudice, Mansfield Park, and Emma. In
May 1817, the health of the authoress rendered it
necessary that she should remove to some place
where constant medical aid could be procured. |
She went to Winchester, and in that city she
expired, on the 24th of July 1817, aged forty-two.
Her personal worth, beauty, and genius made her
early death deeply lamented; while the public
had to 'regret the failure not only of a source of
innocent amusement, but also of that supply of
practical good sense and instructive example
which she would probably have continued to
furnish better than any of her contemporaries.'*
The insidious decay or consumption which carried
off Miss Austen seemed only to increase the
powers of her mind. She wrote while she could
hold a pen or pencil; and, the day preceding her
death, composed some stanzas replete with fancy
and vigour. Shortly after her death, her friends
gave to the world two novels, entitled Northanger
Abbey and Persuasion, the first being her earliest
composition, and the least valuable of her pro-
ductions, while the latter is a highly finished work,
especially in the tender and pathetic passages.
The great charm of Miss Austen's fictions lies in
their truth and simplicity. She gives us plain
representations of English society in the middle
and higher classes-sets us down, as it were, in the
country-house, the villa, and cottage, and intro-
duces us to various classes of persons, whose
characters are displayed in ordinary intercourse
and most lifelike dialogues and conversation.
There is no attempt to express fine things, nor
any scenes of surprising daring or distress, to
make us forget that we are among commonplace
mortals and real existence. Such materials would
seem to promise little for the novel-reader, yet
Miss Austen's minute circumstances and common
details are far from tiresome. They all aid in
developing and discriminating her characters, in
which her chief strength lies, and we become so
intimately acquainted with each, that they appear
as old friends or neighbours. She is quite at
home in describing the mistakes in the education
of young ladies-in delicate ridicule of female
foibles and vanity-in family differences, obsti-
nacy, and pride-in the distinctions between the
different classes of society, and the nicer shades
of feeling and conduct, as they ripen into love or
friendship, or subside into indifference or dislike.

Her love is not a blind passion, the offspring of
romance; nor has she any of that morbid colour-
ing of the darker passions in which other novelists
excel. The clear daylight of nature, as reflected
in domestic life, in scenes of variety and sorrow-
genial and inexhaustible element. Instruction is
always blended with amusement. A finer moral
lesson cannot anywhere be found than the distress
of the Bertram family in Mansfield Park, arising
from the vanity and callousness of the two
daughters, who had been taught nothing but
accomplishments,' without any regard to their
dispositions and temper. These instructive ex-
amples are brought before us in action, not by
lecture or preachment, and they tell with double
force because they are not inculcated in a didactic
style. The genuine but unobtrusive merits of
Miss Austen have been but poorly rewarded by
the public as respects fame and popularity, though
her works are now rising in public esteem. Sir
Walter Scott, after reading Pride and Prejudice
for the third time, thus mentions the merits of
Miss Austen in his private diary: 'That young
lady had a talent for describing the involvements,
and feelings, and characters of ordinary life,
which is to me the most wonderful I ever met
with. The big bow-wow strain I can do myself,
like any now going; but the exquisite touch which
renders ordinary commonplace things and charac-
ters interesting from the truth of the description
and the sentiment, is denied to me.
What a pity
such a gifted creature died so early!'

Dialogue on Constancy of Affection.—From ' Persuasion.'

'Your feelings may be the strongest,' replied Anne, but ours are the most tender. Man is more robust than woman, but he is not longer lived, which exactly explains my views of the nature of their attachments. Nay, it would be hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with. You are always labouring and toiling, exposed to every risk and hardship. Your home, country, friends all quitted. Neither time, nor health, nor life to be called your own. It would be hard indeed' (with a faltering voice), if woman's feelings were to be added to all this.'

'We shall never agree upon this point,' Captain Harville said. 'No man and woman would, probably. But let me observe that all histories are against you, all If I had such a memory as stories, prose and verse. Benwick, I could bring you fifty quotations in a moment on my side of the argument, and I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs all talk of woman's fickleness. But perhaps you will say these were all written by men.'

'Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have every advantage of us in telling their own story. Education has been theirs in a much higher degree; the pen has been in their hands. I will not allow books to prove anything.' But how shall we prove anything?'

'We never shall. We never can expect to prove any

* Dr Whately, archbishop of Dublin (Quarterly Review, 1821). The same critic thus sums up his estimate of Miss Austen's works: They may be safely recommended, not only as among the most unexceptionable of their class, but as combining, in an eminent degree, instruction with amusement, though without the direct effort at the former, of which we have complained as sometimes defeating its object. For those who cannot or will not learn anything upon such a point. It is a difference of opinion thing from productions of this kind, she has provided entertainment which entitles her to thanks; for mere innocent amusement is in itself a good, when it interferes with no greater, especially as it may occupy the place of some other that may not be innocent. The eastern monarch who proclaimed a reward to him who should discover a new pleasure, would have deserved well of mankind had he stipulated that it should be blameless. Those, again, who delight in the study of human nature, may improve in the knowledge of it, and in the profitable application of that knowledge, by the perusal of such fictions as those before us.'

which does not admit of proof. We each begin probably with a little bias towards our own sex, and upon that bias build every circumstance in favour of it which has occurred within our own circle: many of which circumstances (perhaps those very cases which strike us the most) may be precisely such as cannot be brought forward without betraying a confidence, or, in some respect, saying what should not be said.'

Ah!' cried Captain Harville, in a tone of strong feeling, 'if I could but make you comprehend what a man suffers when he takes a last look at his wife and children, and watches the boat that he has sent them off in, as long as it is in sight, and then turns away and says, "God knows whether we ever meet again!" And then if I could convey to you the glow of his soul when he does see them again; when, coming back after a twelvemonth's absence, perhaps, and obliged to put in to another port, he calculates how soon it will be possible to get them there, pretending to deceive himself, and saying, "They cannot be here till such a day," but all the while hoping for them twelve hours sooner, and seeing them arrive at last, as if Heaven had given them wings, by many hours sooner still! If I could explain to you all this, and all that a man can bear and do, and glories to do, for the sake of these treasures of his existence! I speak, you know, only of such men as have hearts!'-pressing his own with emotion.

'Oh,' cried Anne eagerly, 'I hope I do justice to all that is felt by you, and by those who resemble you. God forbid that I should undervalue the warm and faithful feelings of any of my fellow-creatures. I should deserve utter contempt if I dared to suppose that true attachment and constancy were known only by woman. No, I believe you capable of everything great and good in your married lives. I believe you equal to every important exertion, and to every domestic forbearance, so long as if I may be allowed the expression-so long as you have an object. I mean, while the woman you love lives, and lives for you. All the privilege I claim for my own sex (it is not a very enviable one, you need not covet it) is that of loving longest, when existence or when hope is gone.'

She could not immediately have uttered another sentence. Her heart was too full, her breath too much oppressed.

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However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

'My dear Mr Bennet,' said his lady to him one day, have you heard that Netherfield Park is let at last?'' Mr Bennet replied that he had not.

'But it is,' returned she; 'for Mrs Long has just been here, and she told me all about it.'

Mr Bennet made no answer.

'Do you not want to know who has taken it?' cried his wife impatiently.

'You want to tell me, and I have no objection to hearing it.'

This was invitation enough.

Why, my dear, you must know, Mrs Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it, that he agreed with Mr Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.' 'What is his name?'

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'Is that his design in settling here?' 'Design! Nonsense; how can you talk so! But it is very likely he may fall in love with one of them, and therefore you must visit him as soon as he comes.'

'I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as handsome as any of them, Mr Bingley might like you the best of the party.'

'My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now. When a woman has five grown-up daughters, she ought to give over thinking of her own beauty.'

'In such cases, a woman has not often much beauty to think of.'

'But, my dear, you must indeed go and see Mr Bingley when he comes into the neighbourhood.' 'It is more than I engage for, I assure you.' 'But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for, in general, you know, they visit no newcomers. Indeed you must go, for it will be impossible for us to visit him if you do not.'

'You are over-scrupulous, surely. I dare say Mr Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy.'

'I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving her the preference.'

"They have none of them much to recommend them,' replied he; they are all silly and ignorant, like other girls; but Lizzy has something more of quickness than her sisters.'

'Mr Bennet, how can you abuse your own children in such a way! You take delight in vexing me. You have no compassion on my poor nerves.'

'You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.'

"Ah! you do not know what I suffer.'

'But I hope you will get over it, and live to see many young men of four thousand a year come into the neigh

bourhood.'

'It will be no use to us, if twenty such should come, since you will not visit them.'

I will visit them all.' 'Depend upon it, my dear, that when there are twenty,

Mr Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character. Her mind was less difficult to develop. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married; its solace was visiting and news.

MRS BRUNTON.

MRS MARY BRUNTON, authoress of Self-control and Discipline, two novels of superior merit and moral tendency, was born on the 1st of November 1778. She was a native of Burray, in Orkney, a small island of about 600 inhabitants, level of the sea, and which is destitute of tree or no part of which is more than 300 feet above the shrub. In this remote and sea-surrounded region the parents of Mary Brunton occupied a leading station. Her father was Colonel Balfour of Elwick, and her mother, an accomplished woman,

niece of Field-marshal Lord Ligonier, in whose house she had resided previous to her marriage. Mary was carefully educated, and instructed by her mother in the French and Italian languages. She was also sent some time to Edinburgh; but while she was only sixteen, her mother died, and

the whole cares and duties of the household

few more the mountains of Cape Breton sank behin the wave. The brisk gales of autumn wafted the vesel cheerfully on her way; and often did Laura compute her progress.

In a clear frosty morning towards the end of September she heard once more the cry of 'Land!' now music to her ear. Now with a beating breast she ran to gaze

devolved on her. With these she was incess-upon a ridge of mountains indenting the disk of the

antly occupied for four years, and at the expiration of that time she was married to the Rev. Mr Brunton, minister of Bolton, in Haddingtonshire. In 1803 Mr Brunton was called to one of the churches in Edinburgh, and his lady had thus an opportunity of meeting with persons of literary talent, and of cultivating her mind. 'Till I began Self-control,' she says in one of her letters, 'I had never in my life written anything but a letter or a recipe, excepting a few hundreds of vile rhymes, from which I desisted by the time I had gained the wisdom of fifteen years; therefore I was so ignorant of the art on which I was entering, that I formed scarcely any plan for my tale. I merely intended to shew the power of the religious principle in bestowing self-command, and to bear testimony against a maxim as immoral as indelicate, that a reformed rake makes the best husband.' Self-control was published without the author's name in 1811. The first edition was sold in a month, and a second and third were called for. In 1814, her second work, Discipline, was given to the world, and was also well received. She began a third, Emmeline, but did not live to finish it. She died on the 7th of December 1818. The unfinished tale, with a memoir of its lamented authoress, was published in one volume by her husband, Dr Brunton.

rising sun; but the tears of rapture dimmed her eyes when every voice at once shouted 'Scotland!'

All day Laura remained on deck, oft measuring with the light splinter the vessel's course through the deep. The winds favoured not her impatience. Towards evening they died away, and scarcely did the vessel steal along the liquid mirror. Another and another morning came, and Laura's ear was blessed with the first sounds of her native land. The tolling of a bell was borne along the water, now swelling loud, and now falling softly away. The humble village church was seen on the shore; and Laura could distinguish the gay colouring of her countrywomen's Sunday attire; the scarlet plaid, transmitted from generation to generation, pinned decently over the plain clean coif; the bright blue gown, the trophy of more recent housewifery. To her, every form in the well-known garb seemed the form of a friend. The blue mountains in the distance, the scattered woods, the fields yellow with the harvest, the river sparkling in the sun, seemed, to the wanderer returning from the land of strangers, fairer than the gardens of Paradise.

Land of my affections !-when 'I forget thee, may my right hand forget her cunning!' Blessed be thou among nations! Long may thy wanderers return to thee rejoicing, and their hearts throb with honest pride when they own themselves thy children!

ELIZABETH HAMILTON.

ELIZABETH HAMILTON (1758-1816), an amiSelf-control bids fair to retain a permanent able and accomplished miscellaneous writer, was place among British novels, as a sort of Scottish authoress of one excellent little novel, or moral Calebs, recommended by its moral and religious tale, The Cottagers of Glenburnie, which has tendency, no less than by the talent it displays. probably been as effective in promoting domestic The acute observation of the authoress is seen in improvement among the rural population of Scotthe development of little traits of character and land as Johnson's Journey to the Hebrides was conduct, which give individuality to her portraits, in encouraging the planting of trees by the and a semblance of truth to the story. Thus the landed proprietors. In both cases there was gradual decay, mental and bodily, of Montreville, some exaggeration of colouring, but the picthe account of the De Courcys, and the courtship tures were too provokingly true and sarcastic of Montague, are true to nature, and completely to be laughed away or denied. They constituted removed out of the beaten track of novels. The a national reproach, and the only way to wipe it plot is very unskilfully managed. The heroine, off was by timely reformation. There is still Laura, is involved in a perpetual cloud of diffi- much to accomplish, but a marked improvement culties and dangers, some of which-as the futile in the dwellings and internal economy of Scottish abduction by Warren, and the arrest at Lady farm-houses and villages may be dated from the Pelham's are unnecessary and improbable. The publication of The Cottagers of Glenburnie. Elizcharacter of Hargrave seems to have been taken abeth Hamilton was born in Belfast. Her father from that of Lovelace, and Laura is the Clarissa of was a merchant, of a Scottish family, and died the tale. Her high principle and purity, her devo- early, leaving a widow and three children. The tion to her father, and the force and energy of her latter were educated and brought up by relatives mind-without overstepping feminine softness-in better circumstances, Elizabeth, the youngest, impart a strong interest to the narrative of her trials and adventures. She surrounds the whole, as it were, with an atmosphere of moral light and beauty, and melts into something like consistency and unity the discordant materials of the tale.

Sensations on returning to Scotland. With tears in her eyes Laura took leave of her benevolent host; yet her heart bounded with joy as she saw the vessel cleaving the tide, and each object in the dreaded land of exile swiftly retiring from her view. In a few days that dreaded land disappeared. In a

being sent to Mr Marshall, a farmer in Stirlingshire, married to her father's sister. Her brother obtained a cadetship in the East India Company's service, and an elder sister was retained in Ireland. A feeling of strong affection seems to have existed among these scattered members of the unfortunate family. Elizabeth found in Mr and Mrs Marshall all that could have been desired. She was adopted and educated with a care and tenderness that has seldom been equalled. No child,' she says, 'ever spent so happy a life, nor have I ever met with anything

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