Coleridge and Textual Instability: The Multiple Versions of the Major PoemsOxford University Press, 12 de maig 1994 - 272 pàgines Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works. |
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Pàgina vi
... Grasmere in the summer of 1990 and then combined and revised the lectures in an essay published in Studies in Romanticism ( 31 [ 1992 ] : 127–46 ) . The present study updates and expands the discoveries and thinking in those lectures ...
... Grasmere in the summer of 1990 and then combined and revised the lectures in an essay published in Studies in Romanticism ( 31 [ 1992 ] : 127–46 ) . The present study updates and expands the discoveries and thinking in those lectures ...
Pàgina viii
... Grasmere ; and the Beinecke Library , Yale University . Mrs. Joan M. Coleridge , of East Wittering , West Sussex , kindly granted general permission to quote from manuscripts to which she holds copyright . Among individuals who provided ...
... Grasmere ; and the Beinecke Library , Yale University . Mrs. Joan M. Coleridge , of East Wittering , West Sussex , kindly granted general permission to quote from manuscripts to which she holds copyright . Among individuals who provided ...
Pàgina 3
... Grasmere , on the middle Sunday , a panel of distinguished Coleridgeans gathered to discuss " The 3 Essential Coleridge . " The first speaker began by portraying 1. Introduction: The Current State of Coleridge's Poetic Texts.
... Grasmere , on the middle Sunday , a panel of distinguished Coleridgeans gathered to discuss " The 3 Essential Coleridge . " The first speaker began by portraying 1. Introduction: The Current State of Coleridge's Poetic Texts.
Pàgina 7
... Grasmere , and Boston University ) as well as an important letter text of the first eighty - six lines . Almost no new early printed versions have come to light since 1912 ; E. H. Coleridge's collations are generally reliable in that ...
... Grasmere , and Boston University ) as well as an important letter text of the first eighty - six lines . Almost no new early printed versions have come to light since 1912 ; E. H. Coleridge's collations are generally reliable in that ...
Pàgina 79
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
3 | |
2 The Multiple Versions | 26 |
3 Coleridge as Reviser | 100 |
4 A Practical Theory of Versions | 118 |
Notes | 237 |
Index | 251 |
Altres edicions - Mostra-ho tot
Coleridge and Textual Instability: The Multiple Versions of the Major Poems Jack Stillinger Previsualització limitada - 1994 |
Frases i termes més freqüents
Ancient Mariner annotated copies Annual Anthology authorial intention beginning Biographia Literaria Blank Verse breeze canceled Charles Lamb Christabel Cole Coleridge's Coleridge's poems copies of 1817 corrected Cottle Dejection deleted Dorothy Wordsworth Dove Cottage draft earlier edition Eolian Harp errata essay extant eyes final text Frost at Midnight Geraldine Grasmere Harvard holograph interlined interpretation Keats Keats's Kubla Khan lady Lamb later letter Lime-Tree Bower lines literary Lyrical Ballads major poems manuscript Mariner's mind multiple versions paragraph division passage poet Poetical poetry printed text printer proofs prose published readers readings revisions S. T. Coleridge Samuel Taylor Coleridge Sara separate versions Shillingsburg ship Sibylline Leaves Sir Leoline soul Southey speaker spirit stanza substantive sweet Textual Criticism thee theory things thou Tintern Abbey transcript unique unity University Press variants verse Version 9 volume William Wordsworth words Wordsworth written wrote
Passatges populars
Pàgina 185 - The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines...
Pàgina 170 - The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on ; and so did I.
Pàgina 185 - On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock...
Pàgina 181 - I saw a third — I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood.
Pàgina 162 - And I had done a hellish thing. And it would work 'em woe: For all averred. I had killed the bird That made the breeze to blow.
Pàgina 171 - I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky. Lay like a load on my weary eye, And the dead were at my feet.
Pàgina 187 - But oh ! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover ! A savage place ! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover...
Pàgina 162 - It perched for vespers nine ; Whiles all the night, through fog-smoke white, Glimmered the white Moon-shine." " God save thee, ancient Mariner ! From the fiends, that plague thee thus ! — Why look'st thou so ? " — " With my cross-bow I shot the ALBATROSS.
Referències a aquest llibre
The Constructivist Moment: From Material Text to Cultural Poetics Barrett Watten Previsualització no disponible - 2003 |