Imatges de pàgina
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WILD, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever
Bewildered, and incapable, and ever

Fancying strange comments in her dizzy brain
Of usual shapes, till the familiar train

Of objects and of persons passed like things
Strange as a dreamer's mad imaginings,
Ginevra from the nuptial altar went;

The vows to which her lips had sworn assent
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.

And so she moved under the bridal veil,

Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth,
And darkened her dark locks, as moonlight doth,—
And of the gold and jewels glittering there
She scarce felt conscious,-but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight.
A moonbeam in the shadow of a cloud
Was less heavenly fair-her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street;
And ever as she went her light fair feet
Erased these images.

The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,

*This fragment is part of a poem which Shelley intended to write, founded on a story to be found in the first volume of a book entitled "L'Osservatore Fiorentino."

Envying the unenviable; and others

Making the joy which should have been another's
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents' smiles for life's great cheat; a thing
Better to taste sweet in imagining.

But they are all dispersed-and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own;
And through the sunny air, with jangling tone,
The music of the merry marriage bells,
Killing the azure silence, sinks and swells;
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems
A mockery of itself-when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,

And said" Is this thy faith?" and then as one
Whose sleeping face is stricken by the sun

With light like a harsh voice, which bids him rise
And look upon his day of life with eyes

Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore

To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said-Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will

Of parents, chance, or custom, time or change,
Or circumstance, or terror, or revenge,

Or wildered looks, or words, or evil speech,

With all their stings[

can impeach

Our love, we love not:-if the grave which hides

The victim from the tyrant, and divides

The cheek that whitens from the eyes that dart

Imperious inquisition to the heart

That is another's, could dissever ours,

We love not."-" What, do not the silent hours
Beckon thee to Gherardi's bridal bed?
Is not that ring"- —a pledge, he would have said.
Of broken vows, but she with patient look
The golden circle from her finger took,
And said "Accept this token of my faith,
The pledge of vows to be absolved by death;
And I am dead or shall be soon-my knell
Will mix its music with that merry bell;
Does it not sound as if they sweetly said
'We toll a corpse out of the marriage bed?'
The flowers upon my bridal chamber strewn
Will serve unfaded for my bier-so soon
That even the dying violet will not die
Before Ginevra.' The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek,

And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought

Which, like a prophet or a shadow, brought
News of the terrors of the coming time
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayer- he then with vain repentance
Would share, he cannot now avert, the sentence-
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,-and her maidens soon
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet and rest:-like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day.

Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes
Kindling a momentary Paradise.

This crowd is safer than the silent wood,
Where love's own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit
Of looks and words which ne'er enchanted yet;
But life's familiar veil was now withdrawn,
As the world leaps before an earthquake's dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers,
Scatter their hoarded incense, and awaken

The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all

Treasured i' the instant;-so Gherardi's hall

Laughed in the mirth of its lord's festival,

Till some one asked-" Where is the Bride?" And then

A bridesmaid went,-and ere she came again

A silence fell upon the guests—a pause

Of expectation, as when beauty awes

All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;

For whispers passed from mouth to ear which drew
The colour from the hearer's cheeks, and flew
Louder and swifter round the company;
And then Gherardi entered with an eye

Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.

They found Ginevra dead! if it be death, To lie without motion, or pulse, or breath, With waxen cheeks, and limbs cold, stiff, and white, And open eyes, whose fixed and glassy light Mocked at the speculation they had owned. If it be death, when there is felt around A smell of clay, a pale and icy glare, And silence, and a sense that lifts the hair From the scalp to the ankles, as it were Corruption from the spirit passing forth, And giving all it shrouded to the earth, And leaving as swift lightning in its flight Ashes, and smoke, and darkness: in our night

Of thought we know thus much of death,-no more Than the unborn dream of our life before

Their barks are wrecked on its inhospitable shore.
The marriage feast and its solemnity

Was turned to funeral pomp-the company
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise
Loosened the springs of pity in all eyes,

On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which half extinguished in their haste
Gleamed few and faint o'er the abandoned feast,
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of men's minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,-and he,
A loveless man, accepted torpidly

The consolation that he wanted not,

Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still some wept, [

Some melted into tears without a sob,

And some with hearts that might be heard to throb
Leant on the table, and at intervals

Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled
The bell of death, and soon the priests arrived,
And finding death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came.


Old winter was gone

In his weakness back to the mountains hoar,
And the spring came down

From the planet that hovers upon the shore
Where the sea of sunlight encroaches
On the limits of wintry night;

If the land, and the air, and the sea
Rejoice not when spring approaches,
We did not rejoice in thee,

She is still, she is cold

On the bridal couch,

One step to the white deathbed,

And one to the bier,

And one to the charnel-and one, O where?

The dark arrow fled

In the noon.

Ere the sun through heaven once more has rolled,

The rats in her heart

Will have made their nest,

And the worms be alive in her golden hair,

While the spirit that guides the sun,

Sits throned in his flaming chair,

Pisa, 1821.

She shall sleep.




SCENE I.-The Pageant to [celebrate] the arrival of the Queen.


PLACE, for the Marshal of the Masque !


What thinkest thou of this quaint masque, which turns,

Like morning from the shadow of the night,

The night to day, and London to a place

Of peace and joy?


And Hell to Heaven.

Eight years are gone,

And they seem hours, since in this populous street
I trod on grass made green by summer's rain,
For the red plague kept state within that palace
Where now reigns vanity-in nine years more
The roots will be refreshed with civil blood;

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