Byron: A Poet Before His PublicCambridge University Press, 8 de jul. 1982 - 253 pŕgines This book is a major reappraisal of Byron's poetry, which grapples firmly with the paradox of his work - that in spite of his enormous influence, the magnetic power of his personality, and the fascination of his life, the poetry is often of inferior quality and so inconsistent in its attitudes that Byron's poetic seriousness is inevitably called into question. The focus of the book is the nature of Byron's relationship with his public and its effect on his poetry; a subject that has remained largely unexplored. Dr Martin considers Byron's anomalous position as an aristocrat in a literary market governed by commercial interests and middle class tastes and reading habits. He suggests that the whole of Byron's poetry can be seen as a performance determined by a number of factors: Byron's anxieties about his modernity, his contemporaries, and the image his readers were ready to fashion for him. |
Continguts
Experiment in Childe Harold I II 980 30 | 9 |
the Turkish Tales | 30 |
Childe Harold | 64 |
Childe Harold IV | 97 |
Manfred | 107 |
the three historical tragedies | 135 |
Cain the reviewers and Byrons new form of old | 148 |
Don Juan | 173 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Aeschylus amused Ariosto attempt attitude audience aware Beppo Bride of Abydos Byron's poetry Cain Cain's canto caricature carnival century Childe Harold Childe Harold's Pilgrimage claim Coleridge composition contemporary context critical decorum Don Juan drama effect emotional emphasis English experience exploiting fact fashionable Faust feel gestures Giaour Goethe Goethe's Gothic Howard Mills Ibid indulgence Italian Jeffrey Jeffrey's kind Lakist lines literary literature London Lord Byron LUCIFER Lyrical Ballads Macbeth Madame de Staël Manfred manner mode moral Mysteries narrative nature of Byron's o'er ottava rima passage Peacock Percy Bysshe Shelley perhaps play poem poem's poet poet's poetic political popular Preface presented Prisoner of Chillon probably Prometheus Pulci reader readership reading public recognize regarded response rhetorical rhyme satire scenes Scott sense Shelley Shelley's significance Southey Staël stanza style Suwarrow taste theatre thinking Thomson tion tragedies translation Turkish verse vols whilst Wordsworth writing wrote
Referčncies a aquest llibre
Pushkin and Romantic Fashion: Fragment, Elegy, Orient, Irony Monika Greenleaf Previsualització limitada - 1994 |
Keats, Narrative and Audience: The Posthumous Life of Writing Andrew Bennett Previsualització limitada - 1994 |