A Companion to Medieval Art: Romanesque and Gothic in Northern EuropeConrad Rudolph John Wiley & Sons, 31 de jan. de 2019 - 768 páginas A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more.
A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art. |
Conteúdo
1 | |
Chapter 2 Artifex and Opifex The Medieval Artist | 45 |
Chapter 3 Vision | 71 |
Chapter 4 Materials Materia Materiality | 95 |
Chapter 5 Reception of Images by Medieval Viewers | 119 |
Chapter 6 Narrative Narratology and Meaning | 147 |
Chapter 7 Formalism | 171 |
Chapter 8 Gender and Medieval Art | 195 |
Chapter 22 France Germany and the Historiography of Gothic Sculpture | 513 |
The Case of France | 547 |
Gothic Illumination c1190 to the Early Fourteenth Century | 569 |
German Manuscript Illumination in the Thirteenth Century | 601 |
Chapter 26 Glazing Medieval Buildings | 627 |
Chapter 27 Toward a Historiography of the Sumptuous Arts | 657 |
Chapter 28 Reliquaries | 681 |
The Art and Architecture of the Crusader States | 705 |
Chapter 9 Gregory the Great and Image Theory in Northern Europe During the Twelfth and Thirteenth Centuries | 221 |
Chapter 10 Iconography | 245 |
Chapter 11 Art and Exegesis | 267 |
Chapter 12 Whodunnit? Patronage the Canon and the Problematics of Agency in Romanesque and Gothic Art | 287 |
Chapter 13 Collecting and Display | 309 |
Chapter 14 The Concept of Spolia | 331 |
Chapter 15 The Monstrous | 357 |
Chapter 16 Making Sense of Marginalized Images in Manuscripts and Religious Architecture | 383 |
Chapter 17 Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day | 407 |
Chapter 18 Romanesque Sculpture in Northern Europe | 417 |
Chapter 19 Modern Origins of Romanesque Sculpture | 439 |
Chapter 20 The Historiography of Romanesque Manuscript Illumination | 463 |
Chapter 21 The Study of Gothic Architecture | 489 |
Chapter 30 Gothic in the Latin East | 729 |
Chapter 31 Art and Liturgy in the Middle Ages | 759 |
Design Structure and Construction in Northern Europe | 777 |
Chapter 32 Sculptural Programs | 801 |
Chapter 34 The Art and Architecture of Female Monasticism | 823 |
Chapter 35 Cistercian Architecture | 857 |
Mapping the Way | 881 |
Recollecting Medieval Architectural Revivals | 907 |
Chapter 38 Medieval Art Collections | 933 |
Chapter 39 The Modern Medieval Museum | 957 |
977 | |
EULA | 1015 |
Outras edições - Ver todos
A Companion to Medieval Art: Romanesque and Gothic in Northern Europe Conrad Rudolph Visualização parcial - 2019 |
A Companion to Medieval Art: Romanesque and Gothic in Northern Europe Conrad Rudolph Visualização parcial - 2011 |
A Companion to Medieval Art: Romanesque and Gothic in Northern Europe Conrad Rudolph Visualização parcial - 2019 |