Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian CultureCornell University Press, 1993 - 250 pàgines Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility. |
Des de l'interior del llibre
Resultats 1 - 3 de 28.
Pàgina 81
... passage not only describes the diseased urban environment in terms evocative of illicit sexuality ( " Vice and Fever propagate together " ' ) ; it also generates crucial class distinctions . Mr. Dombey , the upper - class victim of vice ...
... passage not only describes the diseased urban environment in terms evocative of illicit sexuality ( " Vice and Fever propagate together " ' ) ; it also generates crucial class distinctions . Mr. Dombey , the upper - class victim of vice ...
Pàgina 122
... passage registers a fear that the sympathy that is supposed to knit the community together and redress the resentment of per- ceived indifference might become an entirely inward experience , a precisely indifferent power that has no ...
... passage registers a fear that the sympathy that is supposed to knit the community together and redress the resentment of per- ceived indifference might become an entirely inward experience , a precisely indifferent power that has no ...
Pàgina 186
... passage , like the previous one , foregrounds the phenomenol- ogy of the face , though in a very different way . In the first passage , the expressiveness of the eyes represents the fact that subjectivity exceeds the limits of any ...
... passage , like the previous one , foregrounds the phenomenol- ogy of the face , though in a very different way . In the first passage , the expressiveness of the eyes represents the fact that subjectivity exceeds the limits of any ...
Continguts
Social Science and the Great Social Evil | 22 |
SelfReading | 66 |
Agency and Exchange | 141 |
Copyright | |
No s’hi han mostrat 3 seccions
Altres edicions - Mostra-ho tot
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Previsualització limitada - 2018 |
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Previsualització limitada - 2018 |
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Visualització de fragments - 1993 |
Frases i termes més freqüents
action aesthetic agency Annie anxiety approach argues Aurora Leigh autonomy Barrett Browning Barrett Browning's becomes chapter character Charles Dickens claim communicative conception consciousness constitutes critics critique David Copperfield desire determined Dickens Dickens's discourse discussion Dombey Dombey and Son Dombey's Edith Elizabeth Barrett Browning Elizabeth Gaskell encounter Esther face fall fallen woman feminine feminist fiction figure Gaskell's gender Greg Habermas human ideal identity individual insists insofar intersubjective Jenny Jenny's John Stuart Mill Laclau literary Magdalenism Mary Barton masculine melodrama Mill Mill's moral narrative normative novel perspective poem political poststructuralism poststructuralist precisely prostitute prostitute's purity reading reform relation representation reveals rhetoric of fallenness Romney Romney's Rossetti's Ruth Ruth's scene self-reading selfhood sexual social society speaker Spivak story strategic essentialism Subaltern Studies sympathetic sympathy systemic Tait tension theory transformation Urania Cottage Victorian culture virtue W. R. Greg women writes
Referències a aquest llibre
The Reading Lesson: The Threat of Mass Literacy in Nineteenth-Century ... Patrick Brantlinger Previsualització limitada - 1998 |
Gender at Work in Victorian Culture: Literature, Art and Masculinity Martin A. Danahay Previsualització no disponible - 2005 |