to my queen, queen, and beg And then I her Indian boy; will her charmed eye release [there, From monster's view, and all things shall be peace. I will lead them up and down: Here comes one. Puck. Come hither; I am here. Dem. Nay, then, thou mock'st me. Thou shalt buy this dear, If ever I thy face by daylight see: By day's approach look to be visited. [Lies down and sleeps. Enter Helena, Hel. O weary night, O long and tedious night, Abate thy hours: shine, comforts, from the east, That I may back to Athens, by daylight, From these that my poor company detest:And, sleep, that sometimes shuts up sorrow's eye, Steal me awhile from mine own company. [Sleeps. Puck. Yet but three? Come one more; Two of both kinds makes up four. Here she comes, curst and sad: Cupid is a knavish lad, Thus to make poor females mad. Enter Hermia. The man shall have his mare again, and all shall be well. [Exit Puck.-Dem. Hel. &c. sleep. ACT IV. SCENE I. The Wood. Enter Titania and Bottom, Fairies attending; Oberon behind unseen. Tita. Come, sit thee down upon this flowery bed, And stick musk-roses in thy sleek smooth head, Cob. Ready. Bot. Monsieur Cobweb; good monsieur, get your weapons in your hand, and kill me a red-hipped humble-bee on the top of a thistle; and, good monself too much in the action, monsieur; and, good sieur, bring me the honey-bag. Do not fret yourmonsieur, have a care the honey-bag break not; I would be loth to have you overflown with a honey bag, signior. Where's monsieur Mustard-seed? Must. Ready. Bot. Give me your neif, monsieur Mustard-seed. Pray you, leave your courtesy, good monsieur. Must. What's your will? Bot. Nothing, good monsieur, but to help cavalery Cobweb to scratch. I must to the barber's, monsieur; for, methinks, I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me I must scratch. [love? Tita. What, wilt thou hear some music, my sweet Bot. I have a reasonable good ear in music: let us have the tongs and the bones. [eat. Tita. Or say, sweet love, what thou desir'st to Bot. Truly, a peck of provender: I could munch your good dry oats. Methinks I have a great desire to a bottle of hay: good hay, sweet hay, hath no fellow. Tita. I have a venturous fairy that shall seek The squirrel's-hoard, and fetch thee new nuts. Bot. I had rather have a handful, or two, of dried peas. But, I pray you, let none of your people stir me; I have an exposition of sleep come upon me. Tita. Sleep thou, and I will wind thee in my arms. Fairies, be gone, and be all ways away. So doth the windbine the sweet honeysuckle Gently entwist; the female ivy so Enrings the barky fingers of the elm. O, how how I love the thee! how I dote on thee! [They sleep. Oberon advances. Enter Puck. Obe. Welcome, good Robin. Seest thou this sweet Her dotage now I do begin to pity. [sight? For meeting her of late, behind the wood, Seeking sweet favours for this hateful fool, 124 did upbraid her and fall out with her: For she his hairy temples then had rounded With coronet of fresh and fragrant flowers; And that same dew, which some time on the buds Was wont to swell like round and orient pearls, Stood now within the pretty flow'rets' eyes, Like tears that did their own disgrace bewail. When I had, at my pleasure, taunted her, And she, in mild terms, begg'd my patience, I then did ask of her her changeling child; Which straight she gave me, and her fairies sent To bear him to my bower in fairy land: And now I have the boy, I will undo This hateful imperfection of her eyes. And, gentle Puck, take this transformed scalp From off the head of this Athenian swain; That he awaking when the other do, May all to Athens back again repair; And think no more of this night's accidents, But as the fierce vexation of a dream. But first I will release the fairy queen. Be, as thou was wont to be; [Touching her eyes with an herb. See, as thou was wont to see: Now, my Titania, wake you, my sweet queen. Obe. There lies your love. Tita. How came these things to pass? O, how mine eyes do loath his visage now! Tita. Music, ho! music; such as charmeth sleep. fool's eyes peep. Obe. Sound, music. [Still music.] Come, my queen, take hands with me, And rock the ground whereon these sleepers be. And will, to-morrow midnight, solemnly, [Exeunt. [Horns sound within. Enter Theseus, Hippolyta, Egeus, and train. Of hounds and echo in conjunction. Hip. I was with Hercules and Cadmus once, Ege. My lord, this is my daughter here asleep; And this Lysander; this Demetrius is; I wonder of their being here together. The. No doubt they rose up early, to observe The rite of May; and, hearing our intent, But, speak, Egeus: Is not this the day [horns. The. [He and the rest kneel to Theseus. I know you two are rival enemies; I came with Hermia hither our intent Ege. Enough, enough, my lord; you have enough: They would have stol'n away, they would, Demetrius, But, my good lord, I wot not by what power, But, like in sickness, did I loath this food: The. Fair lovers, you are fortunately met: Table, So, methinks: And I have found Demetrius like a jewel, It seems to me, That yet we sleep, we dream. As they go out, Bottom awakes. Bot. When my cue comes, call me, and I will answer:-my next is, 'Most fair Pyramus.' Hey, ho! -Peter Quince! Flute, the bellows-mender! Snout, the tinker! Starveling! God's my life! stolen hence. and left me asleep! I have had a most rare vision, I have had a dream,-past the wit of man to say what dream it was:-Man is but an ass if he go Turns them to shapes, and gives to airy nothing about to expound this dream. Methought I was- A local habitation and a name. there is no man can tell what. Methought I was, Such tricks hath strong imagination; to conceive, nor his heart to report, what my dream Exit. SCENE II.-Athens. A Room in Quince's House. Quin. It is not possible: you have not a man in all Flu. No; he hath simply the best wit of any handi. craft man in Athens. Quin. Yea, and the best person too: and he is a very paramour for a sweet voice. Flu. You must say, paragon: a paramour is, God bless us, a thing of naught. Bot. Where are these lads? where are these hearts? Quin. Bottom!-O most courageous day! O most happy hour! Bot. Masters, I am to discourse wonders: but ask menot what; for if I tell you I am no true Athenian. I will tell you every thing, right as it fell out. Quin. Let us hear, sweet Bottom. Bot. Not a word of me. All that I will tell you is, that the duke hath dined: Get your apparel toge ther; good strings to your beards, new ribbons to your pumps; meet presently at the palace; every man look o'er his part; for, the short and the long is, our play is preferred. In any case, let Thisby have clean linen; and let not him that plays the lion pare his nails, for they shall hang out for the lion's claws. And, most dear actors, eat no onions, nor garlic, for we are to utter sweet breath; and I do not doubt but to hear them say it is a sweet comedy. No more words; away; go, away. ACT V. of Theseus. [Exeunt. SCENE I.-Athens. An Apartment in the Palace Hip. "'T is strange, my Theseus, that these lovers The. More strange than true. I never may believe Hip. But all the story of the night told over, Enter Lysander, Demetrius, Hermia, and Helena. To wear away this long age of three hours, Here, mighty Theseus. to us [ing? The. Say, what abridgment have you for this evenWhat mask, what music? How shall we beguile The lazy time, if not with some delight? Philost. There is a brief, how many sports are rife; Lys. [reads.] 'The battle with the Centaurs, to be In glory of my kinsman Hercules. [death The. That is some satire, keen, and critical, The. Merry and tragical? Tedious and brief? [long; For Pyramus therein doth kill himself. Philost. No, my noble lord, It is not for you: I have heard it over, Go, bring them in and take your places, ladies. Hip. I love not to see wretchedness o'ercharged, Lovers and madmen have such seething brains, The lunatic, the lover, and the poet, Are of imagination all compact: One sees more devils than vast hell can hold The. Why, gentle sweet, you shall see no such thing. The. no Where I have come, great clerks have purposed I read as much, as from the rattling tongue Enter Philostrate. Philost. So please your grace, the prologue is The. Let him approach. [addrest. [Flourish of trumpets. Enter Prologue. Prol. If we offend, it is with our good will. That you should think we come not to offend, 'But with good will. To show our simple skill, 'That is the true beginning of our end. 'Consider then, we come but in despite. 'We do not come as minding to content you, 'Our true intent is. All for your delight, [you, 'We are not here. That you should here repent 'The actors are at hand; and, by their show, 'You shall know all that you are like to know.' The. This fellow doth not stand upon points. Lys. He hath rid his prologue like a rough colt; he knows not the stop. A good moral, my lord: It is not enough to speak, but to speak true. Hip. Indeed he hath played on his prologue like a Det. It is the wittiest partition that ever I heard discourse, my lord. The. Pyramus draws near the wall: silence. Enter Pyramus. Pyr. O grim-look'd night! O night with hue so O night, which everart when day is not! [black! 'O night, O night, alack, alack, alack, 'I fear my Thisby's promise is forgot! 'And thou, O wall, thou sweet and lovely wall, eyne. That stands between her father's ground and 'Thou wall, O wall, O sweet and lovely wall, [mine; 'Show me thy chink, to blink through with mine [Wall holds up his fingers. Thanks, courteous wall: Jove shield thee well for 'But what see 1? No Thisby do I see. [this! O wicked wall, through whom I see no bliss; Curst be thy stones for thus deceiving me!' The. The wall, methinks, being sensible, should curse again. Bot. No, in truth, sir, he should not. 'Deceiving me,' is Thisby's cue: she is to enter now, and I am to spy her through the wall. You shall see, it will fall pat as I told you:-Yonder she comes. Enter Thisbe. This, 'O wall, full often hast thou heard my moans, Pyr. I see a voice: now will I to the chink, This. My love! thou art my love, I think.' child on a recorder; a sound, but not in govern-And like Limander am I trusty still.' ment. The. His speech was like a tangled chain; nothing Impair'd, but all disordered. Who is next? Enter Pyramus and Thisbe, Wall, Moonshine, and Lion, as in dumb show. Prol. 'Gentles, perchance you wonder at this show; 'But wonder on, till truth make all things plain. 'This man is Pyramus, if you would know; 'This beauteous lady Thisby is, certain. 'This man, with lime and rough-cast, doth present 'Wall, that vile wall which did these lovers [content sunder: 'And through wall's chink, poor souls, they are To whisper, at the which let no man wonder. This man, with lantern, dog, and bush of thorn, 'Presenteth moonshine for, if you will know, 'By moonshine did these lovers think no scorn To meet at Ninus' tomb, there, there to woo. 'This grisly beast, which by name lion hight, The trusty Thisby, coming first by night, 'Did scare away, or rather did affright: 'And, she fled, her mantle she did fall; as Which lion vile with bloody mouth did stain: Anon comes Pyramus, sweet youth and tall, And finds his trusty Thisby's inantle slain: Whereat with blade, with bloody blameful blade, 'He bravely broach'd his boiling bloody breast; 'And, Thisby tarrying in mulberry shade, His dagger drew, and died. For all the rest, 'Let lion, moon-shine, wall, and lovers twain, 'At large discourse, while here they do remain.' [Exeunt Prol., Thisbe, Lion, and Moonshine. The. I wonder, if the lion be to speak. Dem. No wonder, my lord: one lion may, when many asses do. Wall. In this same interlude, it doth befall, 'That I, one Snout by name, present a wall: 'And such a wall as I would have you think, 'That had in it a cranny'd hole, or chink, Through which the lovers, Pyramus and Thisby, 'Did whisper often very secretly. 'This loam, this rough-cast, and this stone doth That I am that same wall; the truth is so: 'And this the cranny is, right and sinister, Through which the fearful lovers are to whisper.' [show The. Would you desire lime and hair to speak better? This. And I like Helen, till the fates me kill.' This, "Tide life, 'tide death, I come without delay.' Wall. Thus have I, wall, my part discharged so; 'And, being done, thus wall away doth go. [Exeunt Wall, Pyramus, and Thisbe. neighbours. The. Now is the mural down between the two Dem. No remedy, my lord, when walls are so wilful to hear without warning. Hip. This is the silliest stuff that e'er I heard. The. The best in this kind are but shadows; and the worst are no worse, if imagination amend them. Hip. It must be your imagination then, and not theirs. The. If we imagine nó worse of them than they of themselves, they may pass for excellent men. Here come two noble beasts in, a man and a lion. Enter Lion and Moonshine. Lion. 'You, ladies, you, whose gentle hearts do fear The smallest monstrous mouse that creeps on floor, 'May now, perchance, both quake and tremble here, The. A very gentle beast, and of a good conscience. Dem. Not so, my lord; for his valour cannot carry his discretion; and the fox carries the goose. The. His discretion, I am sure, cannot carry his valour: for the goose carries not the fox. It is well: leave it to his discretion, and let us hearken to the moon. Moon. 'This lantern doth the horned moon present.' Dem. He should have worn the horns on his head. The. He is no crescent, and his horns are invisible within the circumference. Moon. This lantern doth the horned moon pre'Myself the man i' th' moon do seem to be.' [sent; The. This is the greatest error of all the rest: the man should be put into the lantern: How is it else the man i' the moon? Dem. He dares not come there for the candle: for, you see, it is already in snuff. [change, Hip. I am weary of this moon: Would he would The. It appears, by his small light of discretion, that he is in the wane: but yet, in courtesy, in all reason, we must stay the time. Lys, Proceed, moon. Moon. All that I have to say is, to tell you, that the lantern is the moon; I, the man in the moon; this thorn-bush my thorn-bush; and this dog my dog. Dem. Why, all these should be in the lantern; for they are in the moon. But, silence: here comes Thisbe. Enter Thisbe. This, 'This is old Ninny's tomb: Where is my love? Dem. And then came Pyramus. beams; Enter Pyramus. Pyr. 'Sweet moon, I thank thee for thy sunny 'But stay;-O spite! 'Eyes, do you see? O dainty duck! O dear! 'Approach, ye furies fell! O fates! come, come; 'Cut thread and thrum; 'Quail, crush, conclude, and quell!' The. This passion, and the death of a dear friend, would go near to make a man look sad. Hip. Beshrew my heart, but I pity the man. Pyr. O, wherefore, nature, didst thou lions frame? 'Since lion vile hath here deflour'd my dear: 'Which is, no, no-which was the fairest dame, That liv'd, that lov'd, that lik'd, that look'd with one. 'Come, tears, confound; 'Out, sword, and wound The pap of Pyramus: 'Ay, that left pap Where heart doth hop: Thus die I, thus, thus, thus. Now am I dead, 'Now am I fled; My soul is in the sky: 'Tongue, lose thy light! 'Moon, take thy fight! 'Now die, die, die, die, die.' [cheer. [Dies. Exit Moonshine. Dem. No die, but an ace, for him; for he is but [nothing. Lys. Less than an ace, man; for he is dead; he is The. With the help of a surgeon, he might yet recover, and prove an ass. Hip. How chance moonshine is gone, before Thisbe comes back and finds her lover? The. She will find him by starlight. comes; and her passion ends the play. Enter Thisbe. Here she Hip. Methinks, she should not use a long one for such a Pyramus: I hope she will be brief. Dem. A mote will turn the balance, which Pyra mus, which Thisbe, is the better. Lys. She hath spied him already with those sweet Dem. And thus she moans, videlicet. feyes. This. Asleep, my love? What, dead, my dove? 'O Pyramus, arise, These yellow cowslip cheeks, His eyes were green as leeks, O sisters three 'Come, come to me, With hands as pale as milk; 'Lay them in gore, 'Since you have shore 'With shears his thread of silk, 'Tongue, not a word: 'Come, trusty sword; 'Come, blade, my breast imbrue: And farewell, friends; Thus Thisbe ends: 'Adieu, adieu, adieu.' [Dies. The. Moonshine and lion are left to bury the dead. Dem. Ay, and wall too. Bot. No, I assure you; the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance, between two of our company? are The. No epilogue. I pray you for your play needs no excuse. Never excuse; for when the players all dead, there need none to be blained. Marry, if he that writ it had played Pyramus, and hanged himself in Thisbe's garter, it would have been a fine tragedy: and so it is truly; and very notably discharged. But come, your Bergomask: let your epilogue alone. Here a dance of Clowns The iron tongue of midnight hath told twelve :-Lovers to bed; 't is almost fairy time. I fear we shall outsleep the coming morn, of SCENE II. Enter Puck. Puck. Now the hungry lion roars, bed. [Exeunt, And the wolf behowls the moon; Now it is the time of night, By the triple Hecate's team, To sweep the dust behind the door. Enter Oberon and Titania, with their trains:, Obe. Though the house give glimmering light, By the dead and drowsy fire: Every elf, and fairy sprite, Hop as light as bird from bird from brier; And this ditty, after me, |