Parallels in the Concepts and Formal Motifs of Fuseli and BlakeUniversity of Wisconsin--Madison, 1992 - 228 pàgines |
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Pàgina 24
... turn of the century to see the treasures stolen by Napoleon Bonaparte , and installed in the Louvre , Fuseli lamented the overcleaning and poor placement of the masterpieces . in consequence of being generally well lighted in each side ...
... turn of the century to see the treasures stolen by Napoleon Bonaparte , and installed in the Louvre , Fuseli lamented the overcleaning and poor placement of the masterpieces . in consequence of being generally well lighted in each side ...
Pàgina 31
... turn and twist in space , in space , Prometheus Bound ( fig . 39 ) , for example . For Fuseli , the study of sculpture in the round must have something to do with his figural perspective in addition to influencing his use of color ...
... turn and twist in space , in space , Prometheus Bound ( fig . 39 ) , for example . For Fuseli , the study of sculpture in the round must have something to do with his figural perspective in addition to influencing his use of color ...
Pàgina 47
... turn it into epic , to give the work the legitimacy it deserves in his eyes . " The Aim of the epic painter is to impress one general idea , one great quality of nature or mode of society , some great maxim , without descending into ...
... turn it into epic , to give the work the legitimacy it deserves in his eyes . " The Aim of the epic painter is to impress one general idea , one great quality of nature or mode of society , some great maxim , without descending into ...
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ancient antique artists beauty believed Bindman Blake and Fuseli Britain British called century Circle classical color composition considered copying David Death depiction despite detail divine drawing Dream England English engraving expression feeling figures Flaxman Florence Fuseli and Blake Fuseli's Greek Hall head Henry Fuseli human idea illustrations imagination influenced interest Irwin Italy J.H. Fuseli Johann John Knowles known Kunsthaus Laocoon Lavater Lavater's Letters London marbles Mason Michelangelo Milton Gallery mind Museum nature Neoclassical never Newton Night's Nightmare original outline Oxford painter painting period philosophical placed poet Poetical poetry Portrait prints Raphael reason reference Reflections Renaissance Reynolds Robert romantic Rome Royal Academy San Marino Satan scene sculpture seen Shakespeare similar sketches society Studies style Tate Gallery things thought Tomoroy translation traveled turn University Press vision William Blake Winckelmann's writing wrote York Zurich